The Spectator, Volumes 1, 2 and 3 eBook

This eBook from the Gutenberg Project consists of approximately 3,418 pages of information about The Spectator, Volumes 1, 2 and 3.

The Spectator, Volumes 1, 2 and 3 eBook

This eBook from the Gutenberg Project consists of approximately 3,418 pages of information about The Spectator, Volumes 1, 2 and 3.

If the Products of Nature rise in Value, according as they more or less resemble those of Art, we may be sure that artificial Works receive a greater Advantage from their Resemblance of such as are natural; because here the Similitude is not only pleasant, but the Pattern more perfect.  The prettiest Landskip I ever saw, was one drawn on the Walls of a dark Room, which stood opposite on one side to a navigable River, and on the other to a Park.  The Experiment is very common in Opticks.  Here you might discover the Waves and Fluctuations of the Water in strong and proper Colours, with the Picture of a Ship entering at one end, and sailing by Degrees through the whole Piece.  On another there appeared the Green Shadows of Trees, waving to and fro with the Wind, and Herds of Deer among them in Miniature, leaping about upon the Wall.  I must confess, the Novelty of such a Sight may be one occasion of its Pleasantness to the Imagination, but certainly the chief Reason is its near Resemblance to Nature, as it does not only, like other Pictures, give the Colour and Figure, but the Motion of the Things it represents.

We have before observed, that there is generally in Nature something more Grand and August, than what we meet with in the Curiosities of Art.  When therefore, we see this imitated in any measure, it gives us a nobler and more exalted kind of Pleasure than what we receive from the nicer and more accurate Productions of Art.  On this Account our English Gardens are not so entertaining to the Fancy as those in France and Italy, where we see a large Extent of Ground covered over with an agreeable mixture of Garden and Forest, which represent every where an artificial Rudeness, much more charming than that Neatness and Elegancy which we meet with in those of our own Country.  It might, indeed, be of ill Consequence to the Publick, as well as unprofitable to private Persons, to alienate so much Ground from Pasturage, and the Plow, in many Parts of a Country that is so well peopled, and cultivated to a far greater Advantage.  But why may not a whole Estate be thrown into a kind of Garden by frequent Plantations, that may turn as much to the Profit, as the Pleasure of the Owner?  A Marsh overgrown with Willows, or a Mountain shaded with Oaks, are not only more beautiful, but more beneficial, than when they lie bare and unadorned.  Fields of Corn make a pleasant Prospect, and if the Walks were a little taken care of that lie between them, if the natural Embroidery of the Meadows were helpt and improved by some small Additions of Art, and the several Rows of Hedges set off by Trees and Flowers, that the Soil was capable of receiving, a Man might make a pretty Landskip of his own Possessions.

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The Spectator, Volumes 1, 2 and 3 from Project Gutenberg. Public domain.