Perhaps the best situations, as being less liable to the per contras in the shape of the master’s passionate outbursts, were those of the park-keepers, of whom old Walter Grange was one. He was a bachelor, as almost all of them were. It was not good for any one with wife or daughter (if these were young, at least) to take service with Carew at all; and living in a pleasant cottage, far too large for him, in the very heart of the chase, Grange thought it no harm to take a lodger. The same old woman who cooked his victuals and kept his rooms tidy would do the same office for another who was not very particular in his food, and could rough it a little in other respects; and such a one had Walter lately found in the person of a young landscape-painter, Richard Yorke. This gentleman was a stranger to Crompton and its neighborhood; but having (as he said) happened to see a certain guarded advertisement in the Times headed, “To Artists and Others,” that lodgings in the midst of forest scenery could be procured for what seemed next to nothing, he had come down from London in the autumn on the chance, and found them suitable.
To poet or painter’s eye, indeed, the lodge was charming; it was small, of course, but very picturesquely built, and afforded the new tenant a bow-windowed sitting-room, with an outlook such as few dwellings in England, and probably none elsewhere, could offer. In the fore-ground was an open lawn, on which scores of fine-plumaged pheasants strutted briskly, and myriads of rabbits came forth at eve to play and nibble—bordered by crops of fern, above which moved statelily the antlered deer. A sentry oak or two of mighty girth guarded this open space; but on both sides vast glades shut in the prospect with a wall of checkered light and shadow that deepened into sylvan gloom. But right in front the expanding view seemed without limit,