Hortense insisted upon an explanation, and her mother gave it.  She told her that Bonaparte had got the poet Esmenard to write the verses beforehand, and that it was for this reason that he had urged her to dance; that he had ordered the ball for no other purpose than to have her dance, and have the poem that complimented her and referred to her pregnancy published in the next day’s paper.

Then, when Hortense, in terror, begged to be informed of the ground for all these proceedings, Josephine had the cruel courage to tell her of the slanders that had been circulated in reference to herself and Bonaparte, and to say that he had arranged the poem, the ball, and her participation in the dance, because, on the preceding day, he had read in an English journal the calumnious statement that Madame Louis Bonaparte had safely given birth to a vigorous and healthy child some weeks previously, and he wished in this manner to refute the malicious statement.

Hortense received this fresh wound with a cold smile of scorn.  She had not a word of anger or indignation for this unheard-of injury, this shameless slander; she neither wept nor complained, but, as she rose to take leave of her mother, she swooned away, and it required hours of exertion to restore her to consciousness.

A few weeks later, Hortense was delivered of a dead male infant, and so passed away her last dream of happiness; for thus was destroyed the hope of a better understanding between her and her husband.

Hortense rose from her sick-bed with a firm, determined heart.  In those long, lonely days that she had passed during her confinement, she had the time and opportunity to meditate on many things, and keenly to estimate her whole present position and probable future.  She had now become a mother, without having a child; yet the resolute energy of a mother remained to her.  The youthful, gentle, dreamy, enthusiastic girl had now become transformed into a determined, active, energetic woman, that would no longer bow submissively to the blows of fortune, but would meet them with an open and defiant brow.  Since her fate could not be changed, she accepted it, all the while resolved no longer to bend to its yoke, but to subdue it, and try to be happy by force of resolution; and, since a charming, peaceful, and harmonious fireside at home was denied her, to at least make her house a pleasant gathering-point for her friends—­for men of scientific and artistic attainments, for poets and singers, for painters and sculptors, and for men of learning.  Ere long, all Paris was talking about Madame Louis Bonaparte’s drawing-rooms, the agreeable and elegant entertainments that were given there, and the concerts there arranged, in which the first singers of the day executed pieces that Hortense had composed, and Talma recited, with his wonderful, sonorous voice, the poems that she had written.  Every one was anxious for admission to these entertainments, in which the participants not merely performed their parts, but greatly enjoyed themselves as well; where the guests indulged in no backbiting or abuse, but found more worthy and elevated subjects of conversation; where, in fine, they could admire the works of poets and artists, and enjoy the newly, awakened intellectual spirit of the age.