The Lives of the Poets of Great Britain and Ireland (1753) eBook

Theodore Watts-Dunton
This eBook from the Gutenberg Project consists of approximately 353 pages of information about The Lives of the Poets of Great Britain and Ireland (1753).

The Lives of the Poets of Great Britain and Ireland (1753) eBook

Theodore Watts-Dunton
This eBook from the Gutenberg Project consists of approximately 353 pages of information about The Lives of the Poets of Great Britain and Ireland (1753).

In the year 1704 he married Miss Barkham, daughter to Sir William Barkham of Norfolk, bart. who lived with him six years, and died without issue.  In the theatrical revolutions which happened in those days, Mr. Booth, notwithstanding his great capacity, and reputation with the town, had very little share.  He adhered constantly to Mr. Betterton, while he could be of any service to him, and when his tutor retired from the management of the stage, he trusted to his merit, and the taste of the public, in which he was never deceived.

Mr. Booth was particularly turned for tragedy, he never could bear those parts which had not strong passion to inspire him; and Mr. Cibber observes, that he could not so well melt in the lover, as rage in the jealous husband.  Othello was his master-piece, but in all his parts he was often subject to a kind of indolence, which some people imagined he affected, to shew that even in his lazy fits he was superior to every body upon the stage; as if secure of all beholders hearts, neglecting he could take them.[C] The late ingenious Mr. Whitingham, who perfectly understood theatrical excellence, and who was, beyond any man I ever knew, distinct, and accurate in his relations of things, often told me, that such was the dignity of Booth’s appearance, such his theatrical ease, and gracefulness, that had he only crossed the stage without uttering a word, the house would be in a roar of applause.

We come now to that period of time, when Mr. Booth’s sole merit raised him to the greatest height, and procured for him that reward he had long deserved.  The tragedy of Cato, which had been written in the year 1703, or at least four acts of it, was brought upon the stage in 1712, chiefly on a political principle; the part of Cato was given to Booth, for the managers were very well satisfied that nobody else could perform it.  As party prejudice never than higher than at that time, the excellency of the play was distinguished by the surprizing contests between both factions, which should applaud it most, so the merit of the actor received the same marks of approbation, both parties taking care to shew their satisfaction, by bestowing upon him, most liberal presents, the particulars of which are already inserted in the life of Addison.  The run of Cato being over at London, the managers thought fit to remove to Oxford in the summer, where the play met with so extraordinary a reception, that they were forced to open the doors at noon, and the house was quite full by one o’clock.  The same respect was paid it for three days together, and though the universal applause it met with at London, surpassed any thing that had been remembered of that kind, yet the tribute of praise it received from this famous university, surpassed even that.  Booth, whose reputation was now at its heighth, took the advantage of it, and making his application to lord Bolingbroke, then at the head of the ministry, he procured a new licence, recalling all former ones,

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The Lives of the Poets of Great Britain and Ireland (1753) from Project Gutenberg. Public domain.