The ambition he had to celebrate his grace’s heroic virtues (at a time when there subsisted a jealousy between him and the duke of Marlborough, and it was fashionable by a certain party to traduce him) gave birth to some of the best of his performances.
What other pieces the major has written in verse, are, for the most part, the unlaboured result of friendship, or love; and the amusement of those few solitary intervals in a life that seldom wanted either serious business, or social pleasures, of one kind or other, entirely to fill up the circle. They are all published in one volume, together with a translation of the Life of Miltiades and Cymon, from Cornelius Nepos; the first edition was in 1725.
The most considerable of them are the following,
1. The Muse’s Choice, or the Progress of Wit.
2. On Friendship. To Colonel Stanhope.
3. To Mr. Addison, occasioned by
the news of
the victory obtained over the Rebels in
Scotland,
by his Grace the Duke of Argyle.
4. To Lady Catherine Manners.
5. The Lovers Parting.
6. The Retreat.
7. An Epistle from a Half-pay Officer
in the
Country, to his Friend in Town.
8. Upon Religious Solitude; occasioned by reading the Inscription on the Tomb of Casimir King of Poland, who abdicated his Crown, and spent the remainder of his life in the Abbey of St. Germains, near Paris, where he lies interred.
9. A Pastoral in Imitation of Virgil’s
Second
Eclogue.
10. The 2d, 3d, and 4th Elegies of
the Fourth
Book of Tibullus.
11. Elegy. Sylvia to Amintor,
in Imitation of
Ovid. After Sylvia is enjoyed, she
gives this Advice
to her sex.
Trust not the slight defence of female
pride.
Nor in your boasted honour much confide;
So still the motion, and so smooth the
dart,
It steals unfelt into the heedless heart.