Gargantua and Pantagruel eBook

This eBook from the Gutenberg Project consists of approximately 1,126 pages of information about Gargantua and Pantagruel.

Gargantua and Pantagruel eBook

This eBook from the Gutenberg Project consists of approximately 1,126 pages of information about Gargantua and Pantagruel.
as big as an ostrich’s egg, enchased very daintily in gold of the fineness of a Turkey seraph.  Upon the middle finger of the same hand he had a ring made of four metals together, of the strangest fashion that ever was seen; so that the steel did not crash against the gold, nor the silver crush the copper.  All this was made by Captain Chappuys, and Alcofribas his good agent.  On the medical finger of his right hand he had a ring made spire-wise, wherein was set a perfect Balas ruby, a pointed diamond, and a Physon emerald, of an inestimable value.  For Hans Carvel, the king of Melinda’s jeweller, esteemed them at the rate of threescore nine millions, eight hundred ninety-four thousand, and eighteen French crowns of Berry, and at so much did the Foucres of Augsburg prize them.

Chapter 1.IX.

The colours and liveries of Gargantua.

Gargantua’s colours were white and blue, as I have showed you before, by which his father would give us to understand that his son to him was a heavenly joy; for the white did signify gladness, pleasure, delight, and rejoicing, and the blue, celestial things.  I know well enough that, in reading this, you laugh at the old drinker, and hold this exposition of colours to be very extravagant, and utterly disagreeable to reason, because white is said to signify faith, and blue constancy.  But without moving, vexing, heating, or putting you in a chafe (for the weather is dangerous), answer me, if it please you; for no other compulsory way of arguing will I use towards you, or any else; only now and then I will mention a word or two of my bottle.  What is it that induceth you, what stirs you up to believe, or who told you that white signifieth faith, and blue constancy?  An old paltry book, say you, sold by the hawking pedlars and balladmongers, entitled The Blason of Colours.  Who made it?  Whoever it was, he was wise in that he did not set his name to it.  But, besides, I know not what I should rather admire in him, his presumption or his sottishness.  His presumption and overweening, for that he should without reason, without cause, or without any appearance of truth, have dared to prescribe, by his private authority, what things should be denotated and signified by the colour:  which is the custom of tyrants, who will have their will to bear sway in stead of equity, and not of the wise and learned, who with the evidence of reason satisfy their readers.  His sottishness and want of spirit, in that he thought that, without any other demonstration or sufficient argument, the world would be pleased to make his blockish and ridiculous impositions the rule of their devices.  In effect, according to the proverb, To a shitten tail fails never ordure, he hath found, it seems, some simple ninny in those rude times of old, when the wearing of high round bonnets was in fashion, who gave some trust to his writings, according to which they carved

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Gargantua and Pantagruel from Project Gutenberg. Public domain.