exposed to view. The Duke of Burgundy wept,
from feeling and in good faith, with an air of gentleness,
tears of nature, of piety, and of patience.
The Duke of Berry, in quite as good faith, shed abundance,
but tears, so to speak, of blood, so great appeared
to be their bitterness; he gave forth not sobs, but
shrieks, howls. The Duchess of Berry (daughter
of the Duke of Orleans) was beside herself.
The bitterest despair was depicted on her face.
She saw her sister-in-law, who was so hateful to
her, all at once raised to that title, that rank of
dauphiness, which were about to place so great a distance
between them. Her frenzy of grief was not from
affection, but from interest; she would wrench herself
from it to sustain her husband, to embrace him, to
console him, then she would become absorbed in herself
again with a torrent of tears, which helped her to
stifle her shrieks. The Duke of Orleans wept
in his own corner, actually sobbing, a thing which,
had I not seen it, I should never have believed,”
adds St. Simon, who detested Monseigneur, and had
as great a dread of his reigning as the Duke of Orleans
had. “Madame, re-dressed in full dress,
in the middle of the night, arrived regularly howling,
not quite knowing why either one or the other; inundating
them all with her tears as she embraced them, and
making the castle resound with a renewal of shrieks,
when the king’s carriages were announced, on
his return to Marly.” The Duchess of Burgundy
was awaiting him on the road. She stepped down
and went to the carriage window. “What
are you about, Madame?” exclaimed Madame de
Maintenon; “do not come near us, we are infectious.”
The king did not embrace her, and she went back to
the palace, but only to be at Marly next morning before
the king was awake.
The king’s tears were as short as they had been
abundant. He lost a son who was fifty years
old, the most submissive and most respectful creature
in the world, ever in awe of him and obedient to him,
gentle and good-natured, a proper man amid all his
indolence and stupidity, brave and even brilliant
at head of an army. In 1688, in front of Philipsburg,
the soldiers had given him the name of “Louis
the Bold.” He was full of spirits and
always ready, “revelling in the trenches,”
says Vauban. The Duke of Montausier, his boyhood’s
strict governor, had written to him, “Monseigneur,
I do not make you my compliments on the capture of
Philipsburg; you had a fine army, shells, cannon, and
Vauban. I do not make them to you either on
your bravery; it is an hereditary virtue in your house;
but I congratulate you on being open-handed, humane,
generous, and appreciative of the services of those
who do well; that is what I make you my compliments
upon.” “Did not I tell you so?”
proudly exclaimed the Chevalier de Grignan, formerly
attached (as menin) to the person of Monseigneur,
on hearing his master’s exploits lauded; “for
my part, I am not surprised.” Racine had
exaggerated the virtues of Monseigneur in the charming
verses of the prologue of Esther: