straight to Paris, and went to awaken Racine.
“Three carriages during the night, in a street
where it was unusual to see a single one during the
day, woke up the neighborhood. There was a rush
to the windows, and, as it was known that a councillor
of requests (law-officer) had made a great uproar
against the comedy of the Plaideurs, nobody
had a doubt of punishment befalling the poet who had
dared to take off the judges in the open theatre.
Next day all Paris believed that he was in prison.”
He had a triumph, on the contrary, with Britannicus,
after which the, king gave up dancing in the court
ballets, for fear of resembling Nero. Berenice
was a duel between Corneille and Racine for the amusement
of Madame Henriette. Racine bore away the bell
from his illustrious rival, without much glory. Bajazet
soon followed. “Here is Racine’s
piece,” wrote Madame de Sevigne to her daughter
in January, 1672; if I could send you La Champmesle,
you would think it good, but without her, it loses
half its worth. The character of Bajazet is
cold as ice, the manners of the Turks are ill observed
in it, they do not make so much fuss about getting
married; the catastrophe is not well led up to, there
are no reasons given for that great butchery.
There are some pretty things, however, but nothing
perfectly beautiful, nothing which carries by storm,
none of those bursts of Corneille’s which make
one creep. My dear, let us be careful never to
compare Racine with him, let us always feel the difference;
never will the former rise any higher than Andromaque.
Long live our old friend Corneille! Let us
forgive his bad verses for the sake of those divine
and sublime beauties which transport us. They
are master-strokes which are inimitable.”
Corneille had seen Bajazet. “I
would take great care not to say so to anybody else,”
he whispered in the ear of Segrais, who was sitting
beside him, “because they would say that I said
so from jealousy; but, mind you, there is not in Bajazet
a single character with the sentiments which should
and do prevail at Constantinople; they have all, beneath
a Turkish dress, the sentiments that prevail in the
midst of France.” The impassioned loyalty
of Madame de Sevigne, and the clear-sighted jealousy
of Corneille, were not mistaken; Bajazet is no Turk,
but he is none the less very human. “There
are points by which men recognize themselves, though
there is no resemblance; there are others in which
there is resemblance without any recognition.
Certain sentiments belong to nature in all countries;
they are characteristic of man only, and everywhere
man will see his own image in them.” [Corneille
et son temps, by M. Guizot.] Racine’s reputation
went on continually increasing; he had brought out
Mithridate and Iphigenie; Phedre appeared
in 1677. A cabal of great lords caused its failure
at first. When the public, for a moment led astray
after the Phedre of Pradon, returned to the