Preliminary Report of the Commission Appointed by the University of Pennsylvania to Investigate Modern Spiritualism eBook

This eBook from the Gutenberg Project consists of approximately 225 pages of information about Preliminary Report of the Commission Appointed by the University of Pennsylvania to Investigate Modern Spiritualism.

Preliminary Report of the Commission Appointed by the University of Pennsylvania to Investigate Modern Spiritualism eBook

This eBook from the Gutenberg Project consists of approximately 225 pages of information about Preliminary Report of the Commission Appointed by the University of Pennsylvania to Investigate Modern Spiritualism.
I have always felt that in any endeavor to unmask them the odds are heavily in their favor.  The methods are manifold whereby confederates may be introduced into the Cabinet:  from above, from below, and, enveloped in black stuff, from back parlors, rooms and closets.  It is not what goes into the Cabinet which, in my opinion, demands our scrutiny but what comes out of it; it is to the Spirits to which all our tests should be applied, the Cabinet and the Medium are quite secondary.  Furthermore, it should be remembered that those who sit nearest to the Cabinet are always staunch friends of the Medium, or known by her to be perfectly safe and harmless.

Not infrequently a Materialized Spirit is seen to subside into the floor between the folds of the curtains at the opening of the Cabinet, This is termed ‘de-materialization,’ and not a little mystery is ascribed to it.  The mystery vanishes when we reflect how easy it is for a lithe and active young woman so to bow down quickly, even to the very ground, as to convey the impression, when her white garments are alone visible against a black background, that she has sunk into the floor.  I have at times distinctly felt the faint jar caused by the Medium’s falling backward within the dark curtains a little too hastily.  At times, when the Spirit is wholly within the Cabinet, and visible only through the parted folds of the curtain, the semblance of a gradual sinking is obtained by simply uniting slowly the two folds of the black curtain, beginning at the head and gradually closing them down to the feet; the room is generally so dark that the dark curtain is indistinguishable at a little distance, and the effect of slowly falling is admirably conveyed.  In one instance, where the Spiritual garments were not white, but particolored (the Spirit was a Scotch girl and wore the tartan), the effect of de-materializing was capitally given by the Spirit’s standing just inside the slightly parted curtains, and then allowing the whole outer costume, even to the head-dress, to fall swiftly to the floor.  Perhaps the best effect in this line, that I have seen, was on one occasion when a Spirit had retired within the folds of the curtain, but apparently immediately reappeared again at the opening; she had been habited somewhat like a nun with white bands and fillets around the head and face; thus, too, was she clad at her reappearance, but, as I sat quite close to the Cabinet, I perceived that the figure was composed merely of the garments of the former Spirit, and that there was no face at all within the head-gear.  I am sure the omission could not have been detected at the distance at which the rest of the circle sat.  This snow-white figure was allowed to sink very, very slowly, the dark curtains uniting above it as it gradually sank, until only the oval white head-dress around what should have been a face rested for a few seconds on the very floor, and then suddenly collapsed.  It was in the highest degree ingeniously devised and artistically executed.

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Preliminary Report of the Commission Appointed by the University of Pennsylvania to Investigate Modern Spiritualism from Project Gutenberg. Public domain.