This is why it is so difficult to make a drama interesting if it possesses no love motive; on the other hand, the subject is never exhausted, although it is constantly being utilised.
What manifests itself in the individual consciousness as instinct of sex in general, without being concentrated on any particular individual, is very plainly in itself, in its generalised form, the will to live. On the other hand, that which appears as instinct of sex directed to a certain individual, is in itself the will to live as a definitely determined individual. In this case the instinct of sex very cleverly wears the mask of objective admiration, although in itself it is a subjective necessity, and is, thereby, deceptive. Nature needs these stratagems in order to accomplish her ends. The purpose of every man in love, however objective and sublime his admiration may appear to be, is to beget a being of a definite nature, and that this is so, is verified by the fact that it is not mutual love but possession that is the essential. Without possession it is no consolation to a man to know that his love is requited. In fact, many a man has shot himself on finding himself in such a position. On the other hand, take a man who is very much in love; if he cannot have his love returned he is content simply with possession. Compulsory marriages and cases of seduction corroborate this, for a man whose love is not returned frequently finds consolation in giving handsome presents to a woman, in spite of her dislike, or making other sacrifices, so that he may buy her favour.