in whose religious rites a similar chest or coffer
is to be found. Herodotus mentions several instances.
Speaking of the festival of Papremis, he says (ii.
63) that the image of the god was kept in a small
wooden shrine covered with plates of gold, which shrine
was conveyed in a procession of the priests and people
from the temple into a second sacred building.
Among the sculptures are to be found bass reliefs of
the ark of Isis. The greatest of the religious
ceremonies of the Egyptians was the procession of
the shrines mentioned in the Rosetta stone, and which
is often found depicted on the sculptures. These
shrines were of two kinds, one a canopy, but the other,
called the great shrine, was an ark or sacred boat.
It was borne on the shoulders of priests by means of
staves passing through rings in its sides, and was
taken into the temple and deposited on a stand.
Some of these arks contained, says Wilkinson (
Notes
to Herod. II. 58,
n. 9), the elements of
life and stability, and others the sacred beetle of
the sun, overshadowed by the wings of two figures of
the goddess Thmei. In all this we see the type
of the Jewish ark. The introduction of the ark
into the ceremonies of Freemasonry evidently is in
reference to its loss and recovery; and hence its
symbolism is to be interpreted as connected with the
masonic idea of loss and recovery, which always alludes
to a loss of life and a recovery of immortality.
In the first temple of this life the ark is lost;
in the second temple of the future life it is recovered.
And thus the ark of the covenant is one of the many
masonic symbols of the resurrection.
ARTS AND SCIENCES, LIBERAL. In the seventh century,
and for many centuries afterwards, all learning was
limited to and comprised in what were called the seven
liberal arts and sciences; namely, grammar, rhetoric,
logic, arithmetic, geometry, music, and astronomy.
The epithet “liberal” is a fair translation
of the Latin “ingenuus,” which means “free-born;”
thus Cicero speaks of the “artes ingenuae,”
or the arts befitting a free-born man; and Ovid says
in the well-known lines,—
“Ingenuas
didicisse fideliter artes
Emollit mores nec sinit esse
feros,”—
To have studied carefully the liberal arts refines
the manners, and prevents us from being brutish.
And Phillips, in his “New World of Words”
(1706), defines the liberal arts and sciences to be
“such as are fit for gentlemen and scholars,
as mechanic trades and handicrafts for meaner people.”
As Freemasons are required by their landmarks to be
free-born, we see the propriety of incorporating
the arts of free-born men among their symbols.
As the system of Masonry derived its present form and
organization from the times when the study of these
arts and sciences constituted the labors of the wisest
men, they have very appropriately been adopted as
the symbol of the completion of human learning.
ASHLAR. In builders’ language, a stone
taken from the quarries.