“Thus the Master Mason represents a man, under the Christian doctrine, saved from the grave of iniquity and raised to the faith of salvation.”
It is in this way that Masonry has, by a sort of inevitable process (when we look to the religious sentiment of the interpreters), been Christianized by some of the most illustrious and learned writers on masonic science—by such able men as Hutchinson and Oliver in England, and by Harris, by Scott, by Salem Towne, and by several others in this country.
I do not object to the system when the interpretation is not strained, but is plausible, consistent, and productive of the same results as in the instance of Mount Calvary: all that I contend for is, that such interpretations are modern, and that they do not belong to, although they may often be deduced from, the ancient system.
But the true ancient interpretation of the legend,—the universal masonic one,—for all countries and all ages, undoubtedly was, that the fate of the temple builder is but figurative of the pilgrimage of man on earth, through trials and temptations, through sin and sorrow, until his eventual fall beneath the blow of death and his final and glorious resurrection to another and an eternal life.
XXVIII.
The Sprig of Acacia.
Intimately connected with the legend of the third degree is the mythical history of the Sprig of Acacia, which we are now to consider.
There is no symbol more interesting to the masonic student than the Sprig of Acacia, not only on account of its own peculiar import, but also because it introduces us to an extensive and delightful field of research; that, namely, which embraces the symbolism of sacred plants. In all the ancient systems of religion, and Mysteries of initiation, there was always some one plant consecrated, in the minds of the worshippers and participants, by a peculiar symbolism, and therefore held in extraordinary veneration as a sacred emblem. Thus the ivy was used in the Mysteries of Dionysus, the myrtle in those of Ceres, the erica in the Osirian, and the lettuce in the Adonisian. But to this subject I shall have occasion to refer more fully in a subsequent part of the present investigation.
Before entering upon an examination of the symbolism of the Acacia, it will be, perhaps, as well to identify the true plant which occupies so important a place in the ritual of Freemasonry.
And here, in passing, I may be permitted to say that it is a very great error to designate the symbolic plant of Masonry by the name of “Cassia”—an error which undoubtedly arose, originally, from the very common habit among illiterate people of sinking the sound of the letter a in the pronunciation of any word of which it constitutes the initial syllable. Just, for instance, as we constantly hear, in the conversation of the uneducated, the words pothecary and prentice