Apart from his coarseness, there is nothing in Longus’s conception of love that goes beyond the ideas of the Alexandrians. Of the symptoms of true love—mental or sentimental, esthetic and sympathetic, altruistic and supersensual, he knows no more than Sappho did a thousand years before him. Indeed, in making lovers become indolent, cry out as if they had been beaten, and jump into rivers as if they were afire, he is even cruder and more absurd than Sappho was in her painting of sensual passion. His whole idea of love is summed up in what the old shepherd Philetas says to Daphnis and Chloe (II., 7): [Greek: Egvov d’ ego kai tauron erasthenta kai hos oistro plaegeis emukato, kai tragon philaesanta aiga kai aekolouthei pantachou. Autos men gar aemaen neos kai aerasthen Amarullidos].
[333] See Rehde, 345; on Musaeus, 472, 133.
[334] Lucii Apulei Metamorphoseon, Libri XI., Ed. van der Vliet (Teubner), IV., 89-135.
[335] See the remarks on Tristan and Isolde in my Wagner and his Works, II., 138.
BIBLIOGRAPHY AND INDEX OF AUTHORS
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