[Illustration]
PLATE 22
Krishna dancing with the Cowgirls
Illustration to the Gita Govinda
Western Rajasthan, c. 1610
N.C. Mehta collection, Bombay
Besides describing Krishna’s flute-playing, Radha’s friend gives her an account of his love-making.
‘An artless woman looks with ardour
on Krishna’s lotus face.’
’Another on the bank of the Jumna,
when Krishna goes to a bamboo
thicket,
Pulls at his garment to draw him back,
so eager is she for amorous
play.’
’Krishna praises another woman,
lost with him in the dance of love,
The dance where the sweet low flute is
heard in the clamour of
bangles on hands that clap.
He embraces one woman, he kisses
another, and fondles another
beautiful one.’
‘Krishna here disports himself with
charming women given to love.’
The present picture illustrates phases of this glamorous love-making—Krishna embracing one woman, dancing with another and conversing with a third. The background is a diagram of the forest as it might appear in spring—the slack looseness of treatment befitting the freedom of conduct adumbrated by the verse. The large insects hovering in the branches are the black bees of Indian love-poetry whose quest for flowers was regarded as symbolic of urgent lovers pestering their mistresses. In style the picture illustrates the Jain painting of Western India after its early angular rigidity had been softened by application to tender and more romantic themes.
[Illustration]
PLATE 23
Krishna seated with the Cowgirls
Illustration to the Gita Govinda
Jaunpur, Eastern India, c. 1590
Prince of Wales Museum, Bombay
After flute-playing and dancing (Plates 21 and 22), Krishna sits with the cowgirls.
’With his limbs, tender and dark
like rows of clumps of blue lotus
flowers.
By herd girls surrounded, who embrace
at pleasure any part of his body,
Friend, in spring, beautiful Krishna plays
like Love’s own self
Conducting the love sport, with love for
all, bringing delight into
being.’
And it is here that Radha finds him.
’May the smiling captivating Krishna
protect you, whom Radha, blinded
by love,
Violently kissed as she made as if singing
a song of welcome saying,
“Your face is nectar, excellent,”
ardently clasping his bosom
In the presence of the fair-browed herdgirls
dazed in the sport of love.’
The picture shows Krishna surrounded by a group of cowgirls, one of whom is caressing his leg. To the right, Radha and the friend are approaching through the trees. The style with its sharp curves and luxuriating smartness illustrates a vital development of the Jain manner in the later sixteenth century.[130]