These are general principles, but the case of Edward Cossey offered no exception to them, indeed it illustrated them well. He had never been in love with Mrs. Quest; to begin with she had shown herself too much in love with him to necessitate any display of emotion on his part. Her violent and unreasoning passion wearied and alarmed him, he never knew what she would do next and was kept in a continual condition of anxiety and irritation as to what the morrow might bring forth. Too sure of her unaltering attachment to have any pretext for jealousy, he found it exceedingly irksome to be obliged to avoid giving cause for it on his side, which, however, he dreaded doing lest he should thereby bring about some overwhelming catastrophe. Mrs. Quest was, as he well knew, not a woman who would pause to consider consequences if once her passionate jealousy were really aroused. It was even doubtful if the certainty of her own ruin would check her. Her love was everything to her, it was her life, the thing she lived for, and rather than tamely lose it, it seemed extremely probable to Edward Cossey that she would not hesitate to face shame, or even death. Indeed it was through this great passion of hers, and through it only, that he could hope to influence her. If he could persuade her to release him, by pointing out that a continuance of the intrigue must involve him in ruin of some sort, all might yet go well with him. If not his future was a dark one.