FOOTNOTES:
[1] Published by Mrs. Lennox in 4to. 1759. To
the third volume of this
work the following advertisement
is prefixed: “In this volume, the
Discourse on the Greek Comedy,
and the General Conclusion, are
translated by the celebrated
author of the Rambler. The Comedy of
the Birds, and that of Peace,
by a young Gentleman. The Comedy of
the Frogs, by the learned
and ingenious Dr. Gregory Sharpe. The
Discourse upon the Cyclops,
by John Bourrya, esq. The Cyclops, by
Dr. Grainger, author of the
translation of Tibullus.”
[2] There was a law which forbade any judge of the
Areopagus to write
comedy.
[3] Madame Dacier, M. Boivin.
[4] Menander, an Athenian, son of Diopethes and Hegestrates,
was,
apparently, the most eminent
of the writers of the new comedy. He
had been a scholar of Theophrastus:
his passion for the women
brought infamy upon him:
he was squinteyed, and very lively. Of the
one hundred and eighty comedies,
or, according to Suidas, the eighty
which he composed, and which
are all said to be translated by
Terence, we have now only
a few fragments remaining. He flourished
about the 115th Olympiad,
318 years before the Christian aera. He was
drowned as he was bathing
in the port of Piraeus. I have told, in
another place, what is said
of one Philemon, his antagonist, not so
good a poet as himself, but
one who often gained the prize. This
Philemon was older than him,
and was much in fashion in the time of
Alexander the great.
He expressed all his wishes in two lines: “To
have health, and fortune,
and pleasure, and never to be in debt, is
all I desire.”
He was very covetous, and was pictured with his
fingers hooked, so that he
set his comedies at a high price. He
lived about a hundred years,
some say a hundred and one. Many tales
are told of his death.
Valerius Maximus says, that he died with
laughing at a little incident:
seeing an ass eating his figs, he
ordered his servant to drive
her away; the man made no great haste,
and the ass eat them all:
“Well done,” says Philemon, “now
give her
some wine.”—Apuleius
and Quintilian placed this writer much below
Menander, but give him the
second place.
[5] Greek Theatre, part i. vol. i.
[6] Hor. Ar. Poet. v. 275.
[7] Poet. ch. 4.
[8] Ibid.
[9] “The alterations, which have been made in
tragedy, were perceptible,
and the authors of them known;
but comedy has lain in obscurity,
being not cultivated, like
tragedy, from the time of its original;
for it was long before the
magistrates began to give comick
choruses. It was first
exhibited by actors, who played voluntarily,