and history can only be made intelligible by some knowledge of chronology, the science by which events are ranged in their order, and the periods of computation are settled; and which, therefore, assists the memory by method, and enlightens the judgment by showing the dependence of one transaction on another.  Accordingly it should be diligently inculcated to the scholar, that, unless he fixes in his mind some idea of the time in which each man of eminence lived, and each action was performed, with some part of the contemporary history of the rest of the world, he will consume his life in useless reading, and darken his mind with a crowd of unconnected events; his memory will be perplexed with distant transactions resembling one another, and his reflections be like a dream in a fever, busy and turbulent, but confused and indistinct.

The technical part of chronology, or the art of computing and adjusting time, as it is very difficult, so it is not of absolute necessity, but should, however, be taught, so far as it can be learned without the loss of those hours which are required for attainments of nearer concern.  The student may join with this treatise Le Clerc’s Compendium of History; and afterwards may, for the historical part of chronology, procure Helvicus’s and Isaacson’s Tables; and, if he is desirous of attaining the technical part, may first peruse Holder’s Account of Time, Hearne’s Ductor Historicus, Strauchius, the first part of Petavius’s Rationarium Temporum; and, at length, Scaliger de Emendatiene Temporum.  And, for instruction in the method of his historical studies, he may consult Hearne’s Ductor Historicus, Wheare’s Lectures, Rawlinson’s Directions for the Study of History; and, for ecclesiastical history, Cave and Dupin, Baronius and Fleury.

5.  Rhetorick and poetry supply life with its highest intellectual pleasures; and, in the hands of virtue, are of great use for the impression of just sentiments, and recommendation of illustrious examples.  In the practice of these great arts, so much more is the effect of nature than the effect of education, that nothing is attempted here but to teach the mind some general heads of observation, to which the beautiful passages of the best writers may commonly be reduced.  In the use of this, it is not proper that the teacher should confine himself to the examples before him; for, by that method, he will never enable his pupils to make just application of the rules; but, having inculcated the true meaning of each figure, he should require them to exemplify it by their own observations, pointing to them the poem, or, in longer works, the book or canto in which an example may be found, and leaving them to discover the particular passage, by the light of the rules which they have lately learned.

For a farther progress in these studies, they may consult Quintilian, and Vossius’s Rhetorick; the art of poetry will be best learned from Bossu and Bohours in French, together with Dryden’s Essays and Prefaces, the critical Papers of Addison, Spence on Pope’s Odyssey, and Trapp’s Praelectiones Poeticae:  but a more accurate and philosophical account is expected from a commentary upon Aristotle’s Art of Poetry, with which the literature of this nation will be, in a short time, augmented.