[Illustration]
No doubt many of you have been troubled with the twisting of some special light casting, and will, perhaps, spend hours in the risky operation of bending an iron pattern so as to get a straight casting. A ladleful of lead and tin, melted in a small gas-furnace, will, in a few minutes, give you a pattern which you can bend and adjust to any required shape. It enables you to make trials to any extent, and get castings with the utmost precision. There is also this advantage, that a soft metal pattern can be cut about and experimented with in a way which no other material admits of. Awkward patterns commence with us with plaster, wax, sheets of wet blotting paper pasted together on a shape or wood; but they almost invariably make their appearance in the foundry after being converted into soft metal by the aid of a gas-furnace. I refer, of course, to thin, awkward, and generally difficult castings, which, under ordinary treatment, are either turned out badly or require a great amount of fitting. As an illustration of the use of this system of pattern-making, I have here two castings of my own, from patterns which, under the ordinary engineer’s system, would be excessively costly and difficult to make as well as these are made. The surface is a mass of intricate pattern work and perforations. To produce the flat original, as you see it, a small piece of the pattern is first cut, and from this a number of tin castings are made and soldered together. From this pattern, reproduced in iron for the sake of permanence, is cast the flat center plate you see. To produce the curved pattern I show you, nothing more is necessary than to bend the tin pattern on a block of the right shape, and we now get a pattern which would puzzle a good many pattern-makers of the old style.