76, 115;
castle, v. 129, 348;
worse for being acted, ii. 92;
Malone’s edition, i. 8; iv. 142, 181, n. 3;
mulberry tree, i. 83, n. 4;
Mulberry Tree, a poem i. 101;
name omitted in an Essay on the English Poets, i. 140;
night, descriptions of, ii. 87, 90;
Othello, dialogue between Iago and Cassio, iii. 41;
moral, iii. 39;
plays worse for being acted, ii. 92;
representations of his plays, v. 244, n. 2;
Reynolds’s note on Macbeth’s castle, v. 129;
Romeo and Juliet neglected, v. 244, n. 2;
altered by Otway and Garrick, ib.
Shakspeare, Mr. William, iv. 325, n. 3;
Shakespearian ribbands, ii. 69;
spelling of his name, v. 124;
style ungrammatical, iv. 18, n. 2;
terrifies the lonely reader, i. 70;
Timon’s scolding, iv. 26;
tragedies inferior to Home’s Douglas, ii. 320, n. 1;
Warburton’s edition, i. 175, 176, n. 1, 329;
witches, iii. 382;
quotations
As you Like it, iii. 2. 210-iii. 255, n. 4
Coriolanus, iii. 1 325-iii. 256, n. 1; iv. 4, 5-i. 263, n. 3;
Cymbeline, iii. 3. 38-iii. 450; iv. 2. 261-iv. 235, n. 1;
Hamlet, i. 2. 133-v. 155, n. 1; i. 2 185-iv. 335, n. 3; i. 3.
41-iii. 178, n. 3; iii. 1. 56-v. 279, n. 2; iii. 1. 78-ii. 298, n. 3;
iii. 2. 40-ii. 159, n. 5; iii. 2. 68-ii. 384; iii. 2 371-ii. 291, n. 2;
iii. 4. 60-v. 19, n. 3; iii. 4. 63-i. 118;
1 Henry IV, v. 4. 161-i. 250;
2 Henry IV, i. 2. 9-iv. 178, n. 5; iii. 1. 9-v. 140, n. 2;
iii. 2. 67-v. 310, n. 3; iv. 1 179-iv. 406, n. 1;
1 Henry VI, i. 2. 12-v. 284, n. 1;
2 Henry VI, iii. 3. 29-v. 113, n. 1; iv. 2. 141-iii. 51, n. 1;
Henry VIII, iii. 2. 358-i. 315, n. 3; iv. 2. 51—67-iv. 71,
n. 3; iv. 2. 76-i. 24;
Julius Caesar, i. 2. 92-i. 180, n. 1
King Lear, ii. 2. 17-iv. 26, n. 2; ii. 2. 160-ii. 446, n. 3;
ii. 4. 18-iii. 381, n. 1; iii. 4. 140-v. 145, n. 1;
Love’s Labour Lost, ii. 1. 66-iv. 97, n. 1;
Macbeth, i. 3. 72-v. 119, n. 4; ii. 2. 12-ii. 322;
ii. 3. 91-i. 299; ii. 4. 12-i. 263, n. 3; iii. 4. 17-ii. 472, 1;
v. 3. 40-iv. 400, n. 2; v. 5. 23-ii. 92, n. 2; v. 8. 30-v. 347, n. 5;
Measure for Measure, iii. 1. 115-iv. 399, n. 6;
iv. 3. e-iii. 196, n. 1;
Much Ado about Nothing, iii. 5. 35-iii. 287, n. 2;
Othello, ii. 1. 59-ii. 408; iii. 3. 165-v. 30, n. 3;
iii. 3. 346-iii. 347, n. 3;
v. 2. 345-v. 416, n. 1;
Rape of Lucrece, l. IIII, iv. 181, n. 3;
Richard II, i. 3. 309-i. 129, n. 3; ii. 300; iv. 191; v. 20;
Romeo and Juliet, ii. 2. 115-ii. 85; v. i. 40-ii. 148;
Taming of the Shrew, i. 1. 39-i. 428, n. 1;
Tempest, i. 2. 355-iv. 5, n. 3; iv. 1. l0-iv. 25, n. 3;
castle, v. 129, 348;
worse for being acted, ii. 92;
Malone’s edition, i. 8; iv. 142, 181, n. 3;
mulberry tree, i. 83, n. 4;
Mulberry Tree, a poem i. 101;
name omitted in an Essay on the English Poets, i. 140;
night, descriptions of, ii. 87, 90;
Othello, dialogue between Iago and Cassio, iii. 41;
moral, iii. 39;
plays worse for being acted, ii. 92;
representations of his plays, v. 244, n. 2;
Reynolds’s note on Macbeth’s castle, v. 129;
Romeo and Juliet neglected, v. 244, n. 2;
altered by Otway and Garrick, ib.
Shakspeare, Mr. William, iv. 325, n. 3;
Shakespearian ribbands, ii. 69;
spelling of his name, v. 124;
style ungrammatical, iv. 18, n. 2;
terrifies the lonely reader, i. 70;
Timon’s scolding, iv. 26;
tragedies inferior to Home’s Douglas, ii. 320, n. 1;
Warburton’s edition, i. 175, 176, n. 1, 329;
witches, iii. 382;
quotations
As you Like it, iii. 2. 210-iii. 255, n. 4
Coriolanus, iii. 1 325-iii. 256, n. 1; iv. 4, 5-i. 263, n. 3;
Cymbeline, iii. 3. 38-iii. 450; iv. 2. 261-iv. 235, n. 1;
Hamlet, i. 2. 133-v. 155, n. 1; i. 2 185-iv. 335, n. 3; i. 3.
41-iii. 178, n. 3; iii. 1. 56-v. 279, n. 2; iii. 1. 78-ii. 298, n. 3;
iii. 2. 40-ii. 159, n. 5; iii. 2. 68-ii. 384; iii. 2 371-ii. 291, n. 2;
iii. 4. 60-v. 19, n. 3; iii. 4. 63-i. 118;
1 Henry IV, v. 4. 161-i. 250;
2 Henry IV, i. 2. 9-iv. 178, n. 5; iii. 1. 9-v. 140, n. 2;
iii. 2. 67-v. 310, n. 3; iv. 1 179-iv. 406, n. 1;
1 Henry VI, i. 2. 12-v. 284, n. 1;
2 Henry VI, iii. 3. 29-v. 113, n. 1; iv. 2. 141-iii. 51, n. 1;
Henry VIII, iii. 2. 358-i. 315, n. 3; iv. 2. 51—67-iv. 71,
n. 3; iv. 2. 76-i. 24;
Julius Caesar, i. 2. 92-i. 180, n. 1
King Lear, ii. 2. 17-iv. 26, n. 2; ii. 2. 160-ii. 446, n. 3;
ii. 4. 18-iii. 381, n. 1; iii. 4. 140-v. 145, n. 1;
Love’s Labour Lost, ii. 1. 66-iv. 97, n. 1;
Macbeth, i. 3. 72-v. 119, n. 4; ii. 2. 12-ii. 322;
ii. 3. 91-i. 299; ii. 4. 12-i. 263, n. 3; iii. 4. 17-ii. 472, 1;
v. 3. 40-iv. 400, n. 2; v. 5. 23-ii. 92, n. 2; v. 8. 30-v. 347, n. 5;
Measure for Measure, iii. 1. 115-iv. 399, n. 6;
iv. 3. e-iii. 196, n. 1;
Much Ado about Nothing, iii. 5. 35-iii. 287, n. 2;
Othello, ii. 1. 59-ii. 408; iii. 3. 165-v. 30, n. 3;
iii. 3. 346-iii. 347, n. 3;
v. 2. 345-v. 416, n. 1;
Rape of Lucrece, l. IIII, iv. 181, n. 3;
Richard II, i. 3. 309-i. 129, n. 3; ii. 300; iv. 191; v. 20;
Romeo and Juliet, ii. 2. 115-ii. 85; v. i. 40-ii. 148;
Taming of the Shrew, i. 1. 39-i. 428, n. 1;
Tempest, i. 2. 355-iv. 5, n. 3; iv. 1. l0-iv. 25, n. 3;