and a pension, ii. 112, n.
3.
REVOLUTION SOCIETY, the, iv. 40.
REVOLUTIONS, ‘Happy revolutions,’ ii. 224.
REWLEY ABBEY, i. 273.
REYNOLDS, Miss, Barnard’s verses on Johnson, iv. 431-3;
coolness with her brother, i. 486, n. 1;
irresolution, her, i. 486, n. 1;
Johnson’s affection for her, i. 486, n. 1;
bequest to her, iv. 402, n. 2;
and the Cotterells, i. 246, n. 2;
dress and study, i. 328, n. 1;
and Garagantua, iii. 256;
and Hannah More, iii. 293; iv. 341, n. 6;
letters to her, i. 486, n. 1;
portrait, ii. 362, n. 1; iv. 229, n. 4, 421, n. 2;
miniatures, paints, i. 326;
oil-painting, ib., n. 7; iv. 229, n. 4;
Montagu, Mrs., paints, iii. 244;
politician, no, ii. 317, n. 2;
purity of mind, i. 486, n. 1; ii. 362, n. 1;
mentioned, iii. 82, 215, 319-20, 390, 434.
REYNOLDS, Sir Joshua, Abington’s, Mrs., benefit, ii. 324;
abused in a newspaper, iv. 29;
Academy, influence in the, iv. 219, n. 4;
amusement is the great end of all employments, ii. 234;
a key to character, iv. 316;
associates with men of all principles, iii. 375;
Baretti’s ignorance, gives an instance of, v. 121, n. 4;
is a witness at his trial, ii. 97, n. 1;
Barry quarrels with him, iv. 436, 438;
Beattie, portrait of, v. 90, n. 1; v. 273, n. 4;
books, judgments on, iii. 320;
Boswell, bequest to, i. 11, n. 1;
first acquaintance with, i. 417, n. 1;
gives Johnson’s portrait to, i. 392;
letter from, iv. 259, n. 2;
Life of Johnson, has a leaf cancelled in, ii. 2, n. 1;
portrait, paints, i. 2, n. 2;
visits, when ill, iii. 391;
Burke’s echo, ii. 222, n. 4;
and Johnson on Bacon’s Essays, iii. 194, n. 1;
too much under, iii. 261;
wit, v. 32, n. 3;
Cambridge, Mr., dines with, ii. 361;
Camden’s, Lord, portrait, ii. 353, n. 2;
Cecilia, iv. 223, n. 5;
character drawn by Burke, i. 245, n. 3; v. 102, n. 3;
colouring in conversation, iv. 183;
conversation, his, i. 246;
critics mostly pretenders, ii. 191, n. 1;
Cumberland, dislikes, iv. 384, n. 2;
‘Dear Knight of Plympton,’ iv. 432;
death, i. 10;
delicacy as regards Pope’s note on Johnson, i. 143;
delicate observer of manners, ii. 109; Devonshire, visits, i. 377;
dinners at his house,
gathering of literary men, iii. 65, 250, 317, 337, 381;
iv. 78, 332, 337;
Northcote’s description of them, iii. 375, n. 2; iv. 312, n. 3;
Discourses on Painting,
Empress of Russia’s testimony of a snuffbox, iii. 370;
first volume published, in. 369;
Johnson described in them, i. 245, n. 3;
his dedication, ii. 2, n. 1;
mentioned in an unfinished Discourse, iii. 369, n. 3;
praises them, iv. 320;
Rogers, Samuel, present at
REVOLUTION SOCIETY, the, iv. 40.
REVOLUTIONS, ‘Happy revolutions,’ ii. 224.
REWLEY ABBEY, i. 273.
REYNOLDS, Miss, Barnard’s verses on Johnson, iv. 431-3;
coolness with her brother, i. 486, n. 1;
irresolution, her, i. 486, n. 1;
Johnson’s affection for her, i. 486, n. 1;
bequest to her, iv. 402, n. 2;
and the Cotterells, i. 246, n. 2;
dress and study, i. 328, n. 1;
and Garagantua, iii. 256;
and Hannah More, iii. 293; iv. 341, n. 6;
letters to her, i. 486, n. 1;
portrait, ii. 362, n. 1; iv. 229, n. 4, 421, n. 2;
miniatures, paints, i. 326;
oil-painting, ib., n. 7; iv. 229, n. 4;
Montagu, Mrs., paints, iii. 244;
politician, no, ii. 317, n. 2;
purity of mind, i. 486, n. 1; ii. 362, n. 1;
mentioned, iii. 82, 215, 319-20, 390, 434.
REYNOLDS, Sir Joshua, Abington’s, Mrs., benefit, ii. 324;
abused in a newspaper, iv. 29;
Academy, influence in the, iv. 219, n. 4;
amusement is the great end of all employments, ii. 234;
a key to character, iv. 316;
associates with men of all principles, iii. 375;
Baretti’s ignorance, gives an instance of, v. 121, n. 4;
is a witness at his trial, ii. 97, n. 1;
Barry quarrels with him, iv. 436, 438;
Beattie, portrait of, v. 90, n. 1; v. 273, n. 4;
books, judgments on, iii. 320;
Boswell, bequest to, i. 11, n. 1;
first acquaintance with, i. 417, n. 1;
gives Johnson’s portrait to, i. 392;
letter from, iv. 259, n. 2;
Life of Johnson, has a leaf cancelled in, ii. 2, n. 1;
portrait, paints, i. 2, n. 2;
visits, when ill, iii. 391;
Burke’s echo, ii. 222, n. 4;
and Johnson on Bacon’s Essays, iii. 194, n. 1;
too much under, iii. 261;
wit, v. 32, n. 3;
Cambridge, Mr., dines with, ii. 361;
Camden’s, Lord, portrait, ii. 353, n. 2;
Cecilia, iv. 223, n. 5;
character drawn by Burke, i. 245, n. 3; v. 102, n. 3;
colouring in conversation, iv. 183;
conversation, his, i. 246;
critics mostly pretenders, ii. 191, n. 1;
Cumberland, dislikes, iv. 384, n. 2;
‘Dear Knight of Plympton,’ iv. 432;
death, i. 10;
delicacy as regards Pope’s note on Johnson, i. 143;
delicate observer of manners, ii. 109; Devonshire, visits, i. 377;
dinners at his house,
gathering of literary men, iii. 65, 250, 317, 337, 381;
iv. 78, 332, 337;
Northcote’s description of them, iii. 375, n. 2; iv. 312, n. 3;
Discourses on Painting,
Empress of Russia’s testimony of a snuffbox, iii. 370;
first volume published, in. 369;
Johnson described in them, i. 245, n. 3;
his dedication, ii. 2, n. 1;
mentioned in an unfinished Discourse, iii. 369, n. 3;
praises them, iv. 320;
Rogers, Samuel, present at