“All that you tell me only increases my interest in the young gentleman, Mr. Jefferson,” said Stuart, “and I am more determined than ever to have him sit for me. I can see the picture,” he went on, eagerly—“the fine, youthful brow and wavy hair drawn loosely back and slightly powdered, the blue eyes, aquiline nose, and firm mouth—the chin is a trifle delicate but the jaw is square—” he was speaking half to himself, noting in artist fashion the salient points of a countenance at once attractive and handsome, not so much by reason of beautiful features as because of the expression which was at once youthful, serene, and noble. All these points were afterward portrayed by Mr. Stuart, though it was not until many years later that the picture was executed, Mr. Stuart being recalled almost immediately to London, where, indeed, Calvert finally sat to him. That likeness, done in the most admirable fashion, came later into the possession of one of Calvert’s dearest friends and greatest admirers, and was prized above most things by one who loved the original so deeply and so long.
“And he has other attractions,” said Mr. Jefferson, after a long pause, during which the two gentlemen regarded young Calvert, the artist absorbed in plans for his picture, Mr. Jefferson in affectionate thoughts of the young man so dear to his heart. “He has one of the clearest, freshest voices that you ever heard, Mr. Stuart; a voice that matches his face and makes one believe in youth and happiness and truth. Why should he not sing for us?” he exclaimed. “The dancing has ceased, I see. Come, I will ask him.”
Followed by Mr. Stuart, he went over to young Calvert, who was still standing sentinel beside Madame Carr, and clapped him affectionately on the shoulder.