The Soul of the War eBook

Philip Gibbs
This eBook from the Gutenberg Project consists of approximately 479 pages of information about The Soul of the War.

The Soul of the War eBook

Philip Gibbs
This eBook from the Gutenberg Project consists of approximately 479 pages of information about The Soul of the War.

It might have been the scene of “A Midsummer Night’s Dream” as I made my way through thickets all aglint with the first green of the spring’s foliage, treading on a carpet of white and yellow flowers and accompanied on my way by butterflies and flying beetles.

But a tremendous noise beyond the stage would have spoilt the play.  French batteries were hard at work and their shells came rushing like fierce birds above the trees.  The sharp “tang” of the French “Soixante-quinze” cracked out between the duller thuds of the “Cent-vingt” and other heavy guns, and there were only brief moments of silence between those violent explosions and the long-drawn sighs of wind as the shells passed overhead and then burst with that final crash which scatters death.

In one of the silences, when the wood was very still and murmurous with humming insects, I heard a voice call.  It was not a challenge of “Qui va la?” or “Garde a vous,” but the voice of spring.  It called “Cuckoo!  Cuckoo!” and mocked at war.

A young officer with me was more interested in the voices of the guns.  He knew them all, even when they spoke from the enemy’s batteries, and as we walked he said alternately, “Depart..  Arrive...  Depart...  Arrive...” as one of the French shells left and one of the German shells arrived.

The enemy’s shells came shattering across the French lines very frequently, and sometimes as I made my way through the trees towards the outer bastions I heard the splintering of wood not far away.

But the soldiers near me seemed quite unconscious of any peril overhead.  Some of them were gardening and making little bowers about their huts.  Only a few sentinels were at their posts, along the bastions built of logs and clay, behind a fringe of brushwood which screened them from the first line of German trenches outside this boundary of the wood.

“Don’t show your head round that corner,” said an officer, touching me on the sleeve, as I caught a glimpse of bare fields and, a thousand yards away, a red-roofed house.  There was nothing much to see—­although the enemies of France were there with watchful eyes for any movement behind our screen.

“A second is long enough for a shot in the forehead,” said the officer, “and if I were you I would take that other path.  The screen has worn a bit thin just there.”

It was curious.  I found it absolutely impossible to realize, without an intellectual effort, that out of the silence of those flat fields death would come instantly if I showed my head.  But I did not try the experiment to settle all doubts.

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Copyrights
Project Gutenberg
The Soul of the War from Project Gutenberg. Public domain.