what it places foremost, what it sees destiny to mean.
It will affect his insight, give shape to his plots,
decide his characters, guide his ethical interpretations,
fix his spiritual apprehension. It was because
George Eliot adopted a new and remarkable philosophy,
one that teaches much which the instincts of the race
have rejected, and repudiates much which the race
has accepted as necessary to its welfare, that her
teachings become so noteworthy. Genius first
of all she had, and the artist’s creative power;
but the way she used these, and the limitations she
put upon them by her philosophy, give her books an
interest which not even her wonderful genius could
alone produce. That philosophy is in debate; and
it is not yet decided whether it is mainly false because
growing out of wrong methods, or if it be in reality
a true explanation of existence. Its revolutionary
character, its negative spirit, its relations to ethics
and religion, make it remarkable, and even startling.
Profound thinkers, men of commanding philosophic apprehension
and power of generalization, have accepted it; physical
science has largely lent its aid to the support of
its conclusions. Yet on its side genius, imagination,
creative instinct, artistic apprehension, have not
given their aid. Without them it is defective,
and cannot command the ideal sentiments and hopes of
the race. First to fill this gap came George
Eliot, and she yet remains its only great literary
ally and coadjutor. Tyndall, Haeckel and DuBois
Raymond can give us science; but this is not enough.
Comte, Mill and Spencer can give us philosophy; but
that is inadequate. They have also essayed, one
and all, to say some true word about morals, religion
and the social ideals; but they have one and all failed.
They are too speculative, too far away from the vital
movements of life, know too little of human experience
as it throbs out of the heart and sentiments.
They can explain their theories in terms of science,
ethics and philosophy; but George Eliot explains them
in terms of life. They have speculated, she has
felt; they have made philosophies, she has created
ideal characters and given us poetry; they have studied
nature, she has studied experience and life; they have
tried to resolve the mind into its constituent elements;
she has entered into the heart and read its secrets;
they have looked on to see what history meant, she
has lived all heart tragedies and known all spiritual
aspirations.
George Eliot was not a mere disciple of any of the
great teachers of evolution. Though of their
school, and largely in accord and sympathy with them,
yet she often departed from the way they went, and
took a position quite in opposition to theirs.
Her standpoint in philosophy was arrived at quite
independently of their influence, and in many of its
main features her philosophy was developed before
she had any acquaintance either with them or their
books. She wrote concerning John Stuart Mill,
[Footnote: Elizabeth Stuart Phelps’ “Last
words from George Eliot,” is Harper Magazine
for March 1882. The names of Mill and Spencer
are not given in this article, but the words from
her letters so plainly refer to them that they have
been quoted here as illustrating her relations to these
men.]—