Trinity’s self was new-born with
the nation;
Springing from ashes of desolation,
She helped to forge posterity.
Now she looks from her chosen station,
At pageant, starvation, begg’ry,
ovation,
Results of her sons’
prosperity.
Within, away from the din and crowd
And the mendicants’ cries and the
laughter loud,
Of Pleasure in hand with Youth,
Is the silent yet eloquent reign of Peace
And the utterance of words which shall
not cease
While the earth has a place
for Truth.
When peal on peal the organ’s voice
Calls the assembled to rejoice
For blessings unsurpassed,
Or when its milder tones tell Grief,
Then e’en Death’s triumph
is but brief,
Old Trinity’s charm
but half is grasped.
Far sweeter it is in the twilights glim,
When the symbolled altar is growing dim,
And the wayward shadows dart,
To watch the golden light stream in
Each lofty window, as though all sin
At its entrance must depart.
Saints’ and martyrs’ pictured
graces,
Illumined by these heavenly traces,
Shine in blue and saffron
and red;
But in the sun’s last traces, above
their faces,
Beam the eyes which no might from the
soul effaces,
And the Christ’s mock-crowned
head.
Literary Monthly, 1894.
TWO TRIOLETS OF AUTUMN
KARL E. WESTON ’96
’Neath fading leaves and dreary
skies,
A late-born rose burst into bloom
And gazed about with sad surprise,
’Neath fading leaves and dreary
skies;
Let fall from Summer’s bier, it
lies
In Autumn’s pathway ’mid the
gloom
Of fading leaves and dreary skies,
A late-born rose, burst into bloom.
Beside the ever restless sea
Fair Autumn stands. With beckoning
hand
She hails the passing days, which flee
Across the ever restless sea,—
Their sealed ears hearing not the plea
Which sea-winds waft from that fair land
Beside the ever restless sea,
Where Autumn stands with beckoning hand.
Literary Monthly, 1894.
NANTUCKET
ARTHUR KETCHUM ’98
Adrift in taintless seas she dreaming
lies,
The island city, time-worn now, and gray,
Her dark wharves ruinous, where once there
lay
Tall ships, at rest from far-sea industries.
The busy hand of trade no longer plies
Within her streets. In quiet court
and way
The grass has crept—and sun
and shadows play
Beneath her elms, in changing traceries;
The years have claimed her theirs, and
the still peace
Of wind and sun and mist, blown thick
and white,
Has folded her. The voices of the
seas
Through many a soft, bright day and brooding
night
Have wrought her silence, wide as they,
and deep,
And dreaming of the past, she waits—asleep.