And just as I had watched the chorus girls and mummers, three years ago, at the Globe Theatre, now, excited by a nervous curiosity, I watched this world of Parisian adventurers and lights o’ love.  And this craving for observation of manners, this instinct for the rapid notation of gestures and words that epitomise a state of feeling, of attitudes that mirror forth the soul, declared itself a main passion; and it grew and strengthened, to the detriment of the other Art still so dear to me.  With the patience of a cat before a mouse-hole, I watched and listened, picking one characteristic phrase out of hours of vain chatter, interested and amused by an angry or loving glance.  Like the midges that fret the surface of a shadowy stream, these men and women seemed to me; and though I laughed, danced, and made merry with them, I was not of them.  But with Marshall it was different:  they were my amusement, they were his necessary pleasure.  And I knew of this distinction that made twain our lives; and I reflected deeply upon it.  Why could I not live without an ever-present and acute consciousness of life?  Why could I not love, forgetful of the harsh ticking of the clock in the perfumed silence of the chamber?

And so my friend became to me a study, a subject for dissection.  The general attitude of his mind and its various turns, all the apparent contradictions, and how they could be explained, classified, and reduced to one primary law, were to me a constant source of thought.  Our confidences knew no reserve.  I say our confidences, because to obtain confidences it is often necessary to confide.  All we saw, heard, read, or felt was the subject of mutual confidences:  the transitory emotion that a flush of colour and a bit of perspective awakens, the blue tints that the sunsetting lends to a white dress, or the eternal verities, death and love.  But, although I tested every fibre of thought and analysed every motive, I was very sincere in my friendship, and very loyal in my admiration.  Nor did my admiration wane when I discovered that Marshall was shallow in his appreciations, superficial in his judgments, that his talents did not pierce below the surface; il avait se grand air; there was fascination in his very bearing, in his large, soft, colourful eyes, and a go and dash in his dissipations that carried you away.

To any one observing us at this time it would have seemed that I was but a hanger-on, and a feeble imitator of Marshall.  I took him to my tailor’s, and he advised me on the cut of my coats; he showed me how to arrange my rooms, and I strove to copy his manner of speech and his general bearing; and yet I knew very well indeed that mine was a rarer and more original nature.  I was willing to learn, that was all.  There was much that Marshall could teach me, and I used him without shame, without stint.  I used him as I have used all those with whom I have been brought into close contact.  Search my memory