[35] Like Sir Gilbert Pickering, he was a member of the Northamptonshire committee of sequestration, and his deeds are thus commemorated in Walker’s “Sufferings of the Clergy:”—“Sir J—— D——n was never noted for ability or discretion; was a puritan by tenure, his house (Canons Ashby) being an ancient college, where he possessed the church, and abused most part of it to profane uses: the chancel he turned to a barn; the body of it to a corn-chamber and storehouse, reserving one side aisle of it for the public service of prayers, etc. He was noted for weakness and simplicity, and never put on any business of moment, but was very furious against the clergy.”
[36] In a satire called “The Protestant Poets,” our author is thus contrasted with Sir Roger L’Estrange. In levelling his reproaches, the satirist was not probably very solicitous about genealogical accuracy; as, in the eighth line, I conceive Sir John Dryden to be alluded to, although he is termed our poet’s grandfather, when he was in fact his uncle. Sir Erasmus Dryden was indeed a fanatic, and so was Henry Pickering, Dryden’s paternal and maternal grandfather; but neither were men of mark or eminence:
“But though he spares no waste of
words or conscience,
He wants the Tory turn of thorough nonsense,
That thoughtless air, that makes light
Hodge so jolly;—
Void of all weight, he wantons
in his folly.
No so forced BAYES, whom sharp remorse
attends,
While his heart loaths the cause his tongue
defends;
Hourly he acts, hourly repents the sin,
And is all over grandfather within:
By day that ill-laid spirit checks,—o’
nights
Old Pickering’s ghost, a dreadful
spectre, frights.
Returns of spleen his slacken’d
speed remit,
And crump his loose careers with intervals
of wit:
While, without stop at sense, or ebb of
spite,
Breaking all bars, bounding o’er
wrong and right,
Contented Roger gallops out of sight.”
[37] This piece was called in, and destroyed by the noble author; but Sarah, Duchess of Marlborough, when opposing Lord Grimestone at an election, maliciously printed and dispersed a large impression of his smothered performance, with a frontispiece representing an elephant dancing on the slack rope.