treated by them without regard to such division,
—common fault of grammarians, noticed, of joining together diff. parts
of speech in the same rule of,
—do., of making the rules of, double or triple in their form,
—whether the principles of etymol. affect those of.
—All synt., on what founded.
—Why BROWN deemed it needful to add to his code of synt. a GENERAL
RULE and CRITICAL NOTES. Figures of syntax.
T.
T, name and plur. numb. of,
—substitution of,
for ed, how far allowable,
—sounds of,
—is seldom silent;
in what words not sounded. Th, ([Greek:
Th],
[Greek: alt-th],
or [Greek: alt2-th], Gr.,) what represents; how
was
represented in
Anglo-Sax., and to what sounds applied; the two sounds
of. To a Tee,
the colloq. phrase, explained.
Tautology of expression or of sentiment, a fault opposed to precision.
Teacher, what should be his aim with respect to gram.
Technical terms, unnec. use of, as opposed to propriety. Technically, words and signs taken, how to be construed.
Tenses, term defined.
—Tenses,
the difierent, named and defined,
—whether the names
of, are approp., or whether they should be changed,
—whether all express
time with equal precision,
—who reckon only
three, and who two; who still differently
and
variously name
their tenses,
—Tenses,
past and present, occurring together. See Present
Tense,
Imperf.
Tense, &c.
Terminating a sentence with a prep. or other small particle
Terminations, of words, separated in syllabicat.
—of verbs, numb.
of different, in each tense
—of the Eng. verb;
DR. A. MURR. account of
—tendency of the
lang. to lay aside the least agreeable
—usage of famil.
discourse in respect to those of second pers. sing.
—verbal or particip.,
how are found written in old books
—the only reg.
ones added to Eng. verbs; utterance of ed and
edst
—ed, participial,
and n, verbal, WALK. on the contrac. of
—Termination
t, for ed, forced and irreg.
Terms of relation, see Relation. Tetrameter
line, iambic, examples
of
—a favorite with
many Eng. writers; BUTL. Hudib., GAY’S Fab.,
and most
of SCOTT’S
poems, writt. in couplets of this meas.
—admits the doub.
rhyme adapted to familiar and burlesque style
—trochaic,
examples of
—character of do.
—EVERETT’S
fanciful notions about do.
—anapestic,
examples of
—L. HUNT’S
“Feast of the Poets,” an extended examp.
of do.
—dactylic,
examples of