Stanza, defined.
    —­Stanzas, uniformity of, in the same poem,
    —­varieties of,
    —­Elegiac stanza, described.
    —­Stanzas, lyric, examples of,
    —­“A GOOD NAME,” ("two beautiful little stanzas,” BROWN).

Star, or asterisk, use of.
    —­Three stars, or asterism,

Stenotone, or breve, for what used.

Stops, in printing or writing, see Points.

Strength, as a quality of style, in what consists,
    —­essentials of,
    —­Precepts aiming at offences against.

Strew, whether, or not, an other mode of spelling strow; whether to be distinguished in utterance from do.; whether reg. or irreg.

STYLE, qualities of, treated.
    —­Style, as connected with synt., what,
    —­differs from mere words and mere grammar; not regulated entirely by
      rules of construc.,
    —­what relation has to the author himself, and what shows,
    —­general characters of, by what epithets designated. 
    —­What must be remembered by the learner, in forming his style; a
      good style how acquired.
    —­Style, solemn, familiar, &c., as used in gram., what meant by. 
    —­(See Solemn Style.)

Subaudition, meaning of the term. Subdisjunctive particle, of the Latins, expressed in Eng. by or of alternat.

Subject of a finite verb, what, and how may be known,
    —­must be the NOM.  CASE,
    —­what besides a noun or pronoun may be.
    —­Subject phrases, joint, what agreements require.
    —­Subject and predicate, in analysis.  See also Nominative Case.

Subjunctive mood, defined.
    —­Subj. mood, why so called; what denotes,
    —­differing views of grammarians in regard to the numb. and form of its
      tenses. 
    —­The true subj. mood rejected by some late grammarians; strictures
      on WELLS. 
    —­WELD’S erroneous teaching respecting the subj., noticed,
    —­CHAND. do., do. 
    —­Chief characteristical diff. between the indic. and the subj. mood.
    —­Subj. mood described,
    —­its two tenses do., and their forms shown, in the verb LOVE,
      conjugated,
    —­whether ever put after a rel. pronoun,
    —­proper limits of,
    —­how properly employed.
    —­False subj.
    —­Subj. mood, not necessarily governed by if, lest, &c.

Such, corresponding to that, with infin. foll.,
    —­with rel. as following, in stead of who or which.

Sui generis, what thing is thus designated.