I. They not unfrequently omit the ARTICLES, for the sake of brevity or metre; as,
“What dreadful pleasure! there
to stand sublime,
Like shipwreck’d
mariner on desert coast!”
—Beattie’s
Minstrel, p. 12.
“Sky lour’d,
and, muttering thunder, some sad drops
Wept at completing
of the mortal sin.”
—Milton,
P. L., B. ix, l. 1002.
II. They sometimes abbreviate common NOUNS, after a manner of their own: as, amaze, for amazement; acclaim, for acclamation; consult, for consultation; corse, for corpse; eve or even, for evening; fount, for fountain; helm, for helmet; lament, for lamentation; morn, for morning; plaint, for complaint; targe, for target; weal, for wealth.
III. By enallage, they use verbal forms substantively, or put verbs for nouns; perhaps for brevity, as above: thus,
1. “Instant, without disturb, they
took alarm.”
—P.
Lost: Joh. Dict., w. Aware.
2. “The gracious Judge, without revile
reply’d.”
—P.
Lost, B. x, l. 118.
3. “If they were known, as the suspect
is great.”
—Shakspeare.
4. “Mark, and perform it: seest thou?
for the fail
Of any point
in’t shall be death.”
—Shakspeare.
IV. They employ several nouns that are not used in prose, or are used but rarely; as, benison, boon, emprise, fane, guerdon, guise, ire, ken, lore, meed, sire, steed, welkin, yore.
V. They introduce the noun self after an other noun of the possessive case; as,
1. “Affliction’s
semblance bends not o’er thy tomb,
Affliction’s
self deplores thy youthful doom.”—Byron.
2. “Thoughtless of beauty, she was beauty’s self.”—Thomson.
VI. They place before the verb nouns, or other words, that usually come after it; and, after it, those that usually come before it: as,
1. “No jealousy their dawn of love
o’ercast,
Nor blasted were their
wedded days with strife.”
—Beattie.
2. “No hive hast thou of
hoarded sweets.”
—W.
Allen’s Gram.
3. “Thy chain a wretched weight
shall prove.”
—Langhorne.
4. “Follows the loosen’d aggravated
roar.”
—Thomson.
5. “That purple grows the primrose
pale.”
—Langhorne.
VII. They more frequently place ADJECTIVES after their nouns, than do prose writers; as,
1. “Or where the gorgeous East, with richest
hand,
Show’rs on her kings
barbaric, pearl and gold.”
—Milton,
P. L., B. ii, l. 2.