On the other hand, I found at Florence that the authorities, in anticipation of the completion of the present splendid façade of the Duomo, had decided to refresh the entire surface of the flanks to put them in keeping with the new sculpture of the front, and had actually inaugurated the system of removing with acids, followed by the chisel, of all the toned surface of the sculptured parts so that the Duomo should, when the façade was revealed, present the aspect of a bride-cake in the brilliant whiteness of its marble, but without a touch remaining of the workmanship of its original architects and sculptors. At this juncture the editor of the “Cornhill Magazine” asked me for an article on the restorations in Italy, and I profited by the invitation to write a scathing article on the cleaning up of the Duomo, which, falling under the attention of the government at Rome, provoked a telegram ordering peremptorily the cessation of all restoration on the church. I received the thanks of the Italian ministry and the formal request to inform it of any other similar operations which should fall under my attention, and when a few weeks later I saw the scaffold raised around the beautiful pulpit of Donatello at Prato, a note to the ministry had the effect of telegraphically stopping operations. The indignation of the good people of Florence at the cessation of the house-cleaning brought me a request from a high quarter to undertake the defense of the city against the insolent Englishman of the “Cornhill!”