With length of time, much judgment, and more toil,
Not ill they acted, what they could not spoil.
Their setting sun[21] still shoots a glimmering ray,
Like ancient Rome majestic in decay:
And better gleanings their worn soil can boast,
Than the crab-vintage of the neighbouring coast.[22]
This difference yet the judging world will see;
Thou copiest Homer, and they copy thee. 40
* * * * *
FOOTNOTES:
[Footnote 20: ‘Mr Granville:’ Lord Lansdowne.]
[Footnote 21: ‘Setting sun,’ &c.: Betterton, who had mustered up a company, and played in Lincoln’s-Inn Fields.]
[Footnote 22: ‘Neighbouring coast:’ Drury Lane play-house.]
* * * * *
EPISTLE XII.
TO MY FRIEND MR MOTTEUX,[23] ON HIS TRAGEDY CALLED “BEAUTY IN DISTRESS.”
’Tis hard, my friend, to write in
such an age,
As damns, not only poets, but the stage.
That sacred art, by Heaven itself infused,
Which Moses, David, Solomon have used,
Is now to be no more: the Muses’
foes
Would sink their Maker’s praises
into prose.
Were they content to prune the lavish
vine
Of straggling branches, and improve the
wine,
Who but a madman would his thoughts defend?
All would submit; for all but fools will
mend. 10
But when to common sense they give the
lie,
And turn distorted words to blasphemy,
They give the scandal; and the wise discern,
Their glosses teach an age, too apt to
learn.
What I have loosely, or profanely, writ,
Let them to fires, their due desert, commit:
Nor, when accused by me, let them complain:
Their faults, and not their function,
I arraign.
Rebellion, worse than witchcraft, they
pursued;
The pulpit preach’d the crime, the
people rued. 20
The stage was silenced; for the saints
would see
In fields perform’d their plotted
tragedy.
But let us first reform, and then so live,
That we may teach our teachers to forgive:
Our desk be placed below their lofty chairs;
Ours be the practice, as the precept theirs.
The moral part, at least, we may divide,
Humility reward, and punish pride;
Ambition, interest, avarice, accuse:
These are the province of a tragic Muse.
30
These hast thou chosen; and the public
voice
Has equall’d thy performance with
thy choice.
Time, action, place, are so preserved
by thee,
That even Corneille might with envy see
The alliance of his tripled Unity.
Thy incidents, perhaps, too thick are
sown;
But too much plenty is thy fault alone.