The education of our New Armies is full of strange and noble surprises. Now it is an ex-shop boy converted into an R.H.A. driver. Or again it is a Tommy learning to appreciate the heroism of a French peasant woman:
‘Er bloke’s out scrappin’
with the rest,
Pushin’ a bay’net
in Argonne;
She wears ’is photo on ’er
breast,
“Mon Jean,”
she sez—the French for John.
She ‘ears the guns boom night an’
day;
She sees the shrapnel burstin’
black;
The sweaty columns march away,
The stretchers bringin’
of ’em back.
She ain’t got no war-leggin’s
on;
’Er picture’s
never in the Press,
Out scoutin’. She finds breeks
“no bon,”
An’ carries on in last
year’s dress.
At dawn she tows a spotty cow
To graze upon the village
green;
She plods for miles be’ind a plough,
An’ takes our washin’
in between.
She tills a patch o’ spuds besides,
An’ burnt like copper
in the sun,
She tosses ’ay all day, then rides
The ’orse ’ome
when the job is done.
The times is ’ard—I got
me woes,
With blistered feet an’
this an’ that,
An’ she’s got ’ers,
the good Lord knows,
Although she never chews the
fat.
But when the Boche ’as gulped ’is
pill,
An’ crawled ’ome
to ‘is bloomin’ Spree,
We’ll go upon the bust, we will,
Madame an’ Monsieur
Jean an’ me.
Or once more it is the young officer shaving himself in a captured German dug-out before an old looking-glass looted from a chateau by a dead German, and apologising to its rightful owner:
Madame, at the end of this long campaign,
When France comes into her own again
In the setting where only she can shine,
As you in your mirror of rare design—
Forgive
me, who dare
In a German
lair
To shave in your mirror at Pozieres.
Then there are “lonely soldiers” in India, envious of their more fortunate comrades in Flanders, and soldiers quite the reverse of lonely during their well-earned leave.