of course. Comparing them by their faculties of
memory, reason, and imagination, it appears to me
that in memory, they are equal to the whites; in reason
much inferiour. As I think one could scarcely
be found capable of tracing, and comprehending the
investigations of Euclid; and that in imagination
they are dull, tasteless, and anomalous. It would
be unfair to follow them to Africa for this investigation.
We will consider them here, on the same stage with
the whites. And where the facts are not apocryphal
on which a judgment is to be formed, it will be right
to make allowances for the difference of condition,
of conversation, and of the sphere in which they move.
Many millions of them have been brought to, and born
in America. Most of them indeed have been confined
to tillage, to their own homes, and their own society;
yet many have been so situate, that they might have
availed themselves of the conversation of their masters;
many have been brought up to the handicraft arts, and
from that circumstance have always been associated
with the whites; some have been liberally educated,
and all have lived in countries where the arts and
sciences are cultivated to a considerable degree, and
have had before their eyes samples of the best work
from abroad. The Indians with no advantages of
this kind, will often carve figures on their pipes,
not destitute of merit and design. They will
crayon out an animal, a plant, or a country, so as
to prove the existence of a germe in their minds, which
only wants cultivation. They astonish you with
strokes of the most sublime oratory, such as prove
their reason and sentiment strong, their imagination
glowing and elevated; but never yet could I find a
black, that had uttered a thought above the level
of plain narration[Footnote: “Sleep hab
no massa,” was the answer of a sleepy negro,
who was told that his massa called him.—See
Edward’s History of Jamaica, 2d Vol.]; never
see even an elementary trait of painting, or sculpture.
In music they are more generally gifted than the whites
with accurate ears for tune, and time; and they have
been found capable of imagining a small catch[Footnote:
“The instrument proper to them is the banjore,
which they brought here from Africa, and which is
the origin of the guitar, it’s chords being
precisely the four lower chords of that instrument.”
J—— N.]. Whether they will
be equal to the composition of a more extensive run
of melody, or of complicated harmony[Footnote:
From this circumstance, I conceive our author’s
catch was improperly so called.], is yet to
be proved. Misery is often the parent of the
most affecting touches in poetry. Among the blacks
is misery enough, God knows, but no poetry. Love
is the peculiar oestrum of the poet: their love
is ardent; but it kindles the senses only, not the
imagination. Religion, or rather fanaticism,
has produced a Phyllis Wheatly; but it could
not produce a poet. Ignatius Sancho has approached
nearer to merit in composition; yet his letters do
more credit to the heart than the head; supposing them
to have been genuine, and to have received amendment
from no other hand; points which would not be easy
of investigation. The improvement of the blacks
in body and mind, in the first instance of their mixture
with the whites, has been observed by every one, and
proves their inferiority is not the effect merely
of their condition in life.