[3] See Mirror, vol. xiii. p. 97.
[Illustration: Apartment Interior]
The second Engraving shows the recessed window of the apartment, which faces the fire-place, and commands a view of a mass of rock-scenery, ornamented with waterfalls of singular contrivance and effect. The frames are filled in with plate-glass, so that the view of these artificial wonders is unobstructed. Our artist has, in his sketch, endeavoured to convey some idea of their outline; but he hopes to supply an amplification of their scenic beauty in a future engraving. We may, however, observe that the view from this window deserves the character of the sublime in miniature, and presents even a microcosm, where
Rocks and forests, lakes, and mountains
grand,
Mark the true majesty of Nature’s
hand.
The whole apartment presents a finished specimen of joinery, with a tasteful display of ornamental carving. Its colour is a deep warm or, we think, burnt sienna, brown; the furniture is in recherche rusticated style, planned by Mr. Gray, whose taste in these matters is elaborately correct; and it requires but the social blaze on the hearth, (which our artist has liberally supplied,) to complete the well-devised illusion of the scene. The apartment was painted about two years since as a scene for a musical piece at Covent Garden Theatre, the incidents of which lay in Switzerland.
* * * * *
THE VOICES OF THE NIGHT.
BY MISS M.L. BEEVOR.
(For the Mirror.)
Like some young veiled Bride,
Gleams the moon’s hazy
face,
When tissues that would hide
But lend her charms a grace:
Each winkling starlet pale,
Sleeps in its far, far fold,
Wrapp’d in the heavy veil
Of dewy clouds and cold.
The turmoil, din, and strife,
Of factious earth are o’er;
The turbid waves of life
Have ceas’d to roll
and roar;
But tones now meet the ear,
Full fraught with strange
delight,
And intermingling fear:
The Voices of the Night!