At the close of a state dinner on the morrow (17th of December), the royal couple proceeded, accompanied by all the princes and great nobles of the Court, to the church of St. John; where the Papal legate, surrounded by the Cardinals de Joyeuse,[119] de Gondy,[120] and de Sourdis,[121] together with the prelates then residing in the city, were already awaiting them. The royal bride retained her Tuscan costume, which was overlaid with the splendid jewels that formed so considerable a portion of her dowry; the most conspicuous among them being an ornament serving as a stomacher, which immediately obtained the name of “the Queen’s Brilliant.” This costly decoration consisted of an octagonal framework of large diamonds, divided into sections by lesser stones, each enclosing a portrait in enamel of one of the princes of her house, beneath which hung three immense pear-shaped pearls. The King was attired in a vest and haut-de-chausses of white satin, elaborately embroidered with silk and gold, and a black cape;[122] and wore upon his head the velvet toque that had been introduced at the French Court by Henri III, to which a string of costly pearls was attached by a star of diamonds. Nor were the ladies and nobles of the royal retinue very inferior in the splendour of their appearance even to the monarch and his bride; feathers waved and jewels flashed on every side; silks and velvets swept the marble floor; and the brilliant uniforms of the royal guard were seen in startling contrast with the uncovered shoulders of the Court dames, which were laden with gems; while, to complete the gorgeousness of the picture, the high altar blazed with light, and wrought gold, and precious stones; and the magnificent robes of the prelates and priests who surrounded the shrine, formed a centre worthy of the rich framework by which it was enclosed.
At the termination of the ceremony, gold and silver coins were thrown to the crowd, and the procession returned to the palace in the same order as it had reached the church.