Summer on the Lakes, in 1843 eBook

This eBook from the Gutenberg Project consists of approximately 245 pages of information about Summer on the Lakes, in 1843.

Summer on the Lakes, in 1843 eBook

This eBook from the Gutenberg Project consists of approximately 245 pages of information about Summer on the Lakes, in 1843.

The Indians being entered, they continued their dance alternately, singing at the same time of their heroic exploits, and the superiority of their race over every other people.  To enforce their language, though it was uncommonly nervous and expressive, and such as would of itself have carried terror to the firmest heart; at the end of every period they struck their war-clubs against the poles of my tent with such violence, that I expected every moment it would have tumbled upon us.  As each of them in dancing round passed by me, they placed their right hands over their eyes, and coming close to me, looked me steadily in the face, which I could not construe into a token of friendship.  My men gave themselves up for lost; and I acknowledge for my own part, that I never found my apprehensions more tumultuous on any occasion.”

He mollified them, however, in the end by presents.

It is pity that Lord Edward Fitzgerald did not leave a detailed account of his journey through the wilderness, where he was pilot of an unknown course for twenty days, as Murray and Henry have of theirs.  There is nothing more interesting than to see the civilized man thus thrown wholly on himself and his manhood, and not found at fault.

McKenney and Hall’s book upon the Indians is a valuable work.  The portraits of the chiefs alone would make a history, and they are beautifully colored.

Most of the anecdotes may be found again in Drake’s Book of the Indians; which will afford a useful magazine to their future historian.

I shall, however, cite a few of them, as especially interesting to myself.

Of Guess, the inventor of the Cherokee alphabet, it was observable in the picture, and observed in the text, that his face had an oriental cast.  The same, we may recall, was said of that of the Seeress of Prevorst, and the circumstance presents pleasing analogies.  Intellect dawning through features still simple and national, presents very different apparitions from the “expressive” and “historical” faces of a broken and cultured race, where there is always more to divine than to see.

Of the picture of the Flying Pigeon, the beautiful and excellent woman mentioned above, a keen observer said, “If you cover the forehead, you would think the face that of a Madonna, but the forehead is still savage; the perceptive faculties look so sharp, and the forehead not moulded like a European forehead.”  This is very true; in her the moral nature was most developed, and the effect of a higher growth upon her face is entirely different from that upon Guess.

His eye is inturned, while the proper Indian eye gazes steadily, as if on a distant object.  That is half the romance of it, that it makes you think of dark and distant places in the forest.

Guess always preferred inventing his implements to receiving them from others:  and, when considered as mad by his tribe, while bent on the invention of his alphabet, contented himself with teaching it to his little daughter; an unimpeachable witness.

Copyrights
Project Gutenberg
Summer on the Lakes, in 1843 from Project Gutenberg. Public domain.