THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

Vol.  XIX.  No. 532.] Saturday, February 4, 1832. [Price 2_d_.

[Illustration:  Castle of Robert the devil.]

[Illustration:  Cavern of Robert the devil.]

Robert the devil.

All the town, and the country too, by paragraph circumstantial, and puff direct, must have learned that every theatre in this Metropolis, and consequently, every stage in the country, is to have its version of the splendid French opera Robert le Diable.  Its success in Paris has been what the good folks there call magnifique, and playing the devil has been the theatrical order of day and night since the Revolution.  As we know nothing of its merits, and do not write of what we neither see nor hear, nor believe any report of, we do not put up our hopes for its success.  But, as the story of the opera is a pretty piece of Norman romance, some fair penciller has sent us the sketches of the annexed cuts, and our Engraver has thus pitted himself with Grieve, Stanfield, Roberts, and scores of minor scene-painters, who are building canvass castles, and scooping out caverns for the King’s Theatre, Covent Garden, and Drury Lane Theatres.  Theirs will be but candle-light glories:  our scenes will be the same by all lights.  But as scenes are of little use without actors, and cuts of less worth without description, we append our fair Correspondent’s historical notices of the sites and the dram. pers. of “this our tragedy.”

Castle of Robert le Diable, or Robert the devil.

The founder of this ancient castle bears the name of Robert the Devil.  It is a wonderful relic of old Norman fortification, being so defended by nature, as to bid defiance to its enemies, and could only have fallen by stratagem.  It is situated on the left side of the River Seine and in the province of Normandy.  The subterranean caverns by their amazing extent sufficiently attest the ancient importance of this structure; tradition says they extend to the banks of the Seine.  Its antiquity is fully proved by some of the architectural fragments bearing the stamp of 912.  On arriving at the summit of the mountain, the tourist receives an impression like enchantment:  the castle seems to have been conveyed there by fairies; and at the base the eye is charmed by the fine and picturesque forest of Bourgtheroulde:  villages elegantly grouped, enrich with their beautiful fabrics each bank of the Seine which majestically traverses a luxurious landscape.  Romance, fable, and the tradition of shepherds and peasants describe Robert the Devil as Governor of Neustria, and a descendent of Rollo the celebrated Norman chief, whose name was changed to Robert, Duke of Normandy in 923, on his