is little doubt that he must have met some wandering
conjurer from India, who told him about the tricks
of the mango plant, and how t is sent up to the sky.
We can imagine these two friends, the old man and the
young, wandering in the woods together at evening,
looking at the red and level clouds, as on that night
when the old man pointed to a small beanstalk, and
told his too imaginative companion that this also might
be made to scale the heavens. And then, when
we remember the quite exceptional psychology of Jack,
when we remember how there was in him a union of the
prosaic, the love of plain vegetables, with an almost
irrelevant eagerness for the unattainable, for invisibility
and the void, we shall no longer wonder that it was
to him especially that was sent this sweet, though
merely symbolic, dream of the tree uniting earth and
heaven.” That is the way that Renan and
France write, only they do it better. But, really,
a rationalist like myself becomes a little impatient
and feels inclined to say, “But, hang it all,
what do you know about the heredity of Jack or the
psychology of Jack? You know nothing about Jack
at all, except that some people say that he climbed
up a beanstalk. Nobody would ever have thought
of mentioning him if he hadn’t. You must
interpret him in terms of the beanstalk religion; you
cannot merely interpret religion in terms of him.
We have the materials of this story, and we can believe
them or not. But we have not got the materials
to make another story.”
It is no exaggeration to say that this is the manner
of M. Anatole France in dealing with Joan of Arc.
Because her miracle is incredible to his somewhat
old-fashioned materialism, he does not therefore dismiss
it and her to fairyland with Jack and the Beanstalk.
He tries to invent a real story, for which he can
find no real evidence. He produces a scientific
explanation which is quite destitute of any scientific
proof. It is as if I (being entirely ignorant
of botany and chemistry) said that the beanstalk grew
to the sky because nitrogen and argon got into the
subsidiary ducts of the corolla. To take the most
obvious example, the principal character in M. France’s
story is a person who never existed at all. All
Joan’s wisdom and energy, it seems, came from
a certain priest, of whom there is not the tiniest
trace in all the multitudinous records of her life.
The only foundation I can find for this fancy is the
highly undemocratic idea that a peasant girl could
not possibly have any ideas of her own. It is
very hard for a freethinker to remain democratic.
The writer seems altogether to forget what is meant
by the moral atmosphere of a community. To say
that Joan must have learnt her vision of a virgin
overthrowing evil from a priest, is like saying
that some modern girl in London, pitying the poor,
must have learnt it from a Labour Member.
She would learn it where the Labour Member learnt
it—in the whole state of our society.