An Englishman Looks at the World eBook

This eBook from the Gutenberg Project consists of approximately 354 pages of information about An Englishman Looks at the World.

An Englishman Looks at the World eBook

This eBook from the Gutenberg Project consists of approximately 354 pages of information about An Englishman Looks at the World.

The novel-reader of the past, therefore, like the novel-reader of the more provincial parts of England to-day, judged a novel by the convictions that had been built up in him by his training and his priest or his pastor.  If it agreed with these convictions he approved; if it did not agree he disapproved—­often with great energy.  The novel, where it was not unconditionally banned altogether as a thing disturbing and unnecessary, was regarded as a thing subordinated to the teaching of the priest or pastor, or whatever director and dogma was followed.  Its modest moral confirmations began when authority had completed its direction.  The novel was good—­if it seemed to harmonise with the graver exercises conducted by Mr. Chadband—­and it was bad and outcast if Mr. Chadband said so.  And it is over the bodies of discredited and disgruntled Chadbands that the novel escapes from its servitude and inferiority.

Now the conflict of authority against criticism is one of the eternal conflicts of humanity.  It is the conflict of organisation against initiative, of discipline against freedom.  It was the conflict of the priest against the prophet in ancient Judaea, of the Pharisee against the Nazarene, of the Realist against the Nominalist, of the Church against the Franciscan and the Lollard, of the Respectable Person against the Artist, of the hedge-clippers of mankind against the shooting buds.  And to-day, while we live in a period of tightening and extending social organisation, we live also in a period of adventurous and insurgent thought, in an intellectual spring unprecedented in the world’s history.  There is an enormous criticism going on of the faiths upon which men’s lives and associations are based, and of every standard and rule of conduct.  And it is inevitable that the novel, just in the measure of its sincerity and ability, should reflect and co-operate in the atmosphere and uncertainties and changing variety of this seething and creative time.

And I do not mean merely that the novel is unavoidably charged with the representation of this wide and wonderful conflict.  It is a necessary part of the conflict.  The essential characteristic of this great intellectual revolution amidst which we are living to-day, that revolution of which the revival and restatement of nominalism under the name of pragmatism is the philosophical aspect, consists in the reassertion of the importance of the individual instance as against the generalisation.  All our social, political, moral problems are being approached in a new spirit, in an inquiring and experimental spirit, which has small respect for abstract principles and deductive rules.  We perceive more and more clearly, for example, that the study of social organisation is an empty and unprofitable study until we approach it as a study of the association and inter-reaction of individualised human beings inspired by diversified motives, ruled by traditions, and swayed by the suggestions of a complex intellectual atmosphere.  And all our conceptions of the relationships between man and man, and of justice and rightfulness and social desirableness, remain something misfitting and inappropriate, something uncomfortable and potentially injurious, as if we were trying to wear sharp-edged clothes made for a giant out of tin, until we bring them to the test and measure of realised individualities.

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An Englishman Looks at the World from Project Gutenberg. Public domain.