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THE SELECTOR, AND LITERARY NOTICES OF NEW WORKS.
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FRENCH COOKERY AND CONFECTIONERY.
Monsieur Ude, who is, unquestionably, the prince of gastronomers, has just published the tenth edition of his French Cook, of which, line upon line, we may say, Decies repelita placebit; and Jarrin, the celebrated artiste en sucre, has also revised his Italian Confectioner, in a fourth edition. We should think both these works must be the literary furniture of every good kitchen, or they ought to be; for there is just enough of the science in them to make them extremely useful, whilst all must allow them to be entertaining.
A few years ago, Mrs. Glasse ruled the roast of cookery, and not a stew was made without consulting her invaluable book. Whilst we were embroiled in war, her instructions were standing orders, but with the peace came a host of foreign luxuries and fashions, among these, Cookery from France. Hence the French system became introduced into the establishments of the wealthy of this country, to which may be attributed the sale of nine editions of M. Ude’s work; for it is strictly what it professes to be, “A System of Fashionable and Economical Cookery, adapted to the use of English Families.” The tenth edition, before us, is a bulky tome of about 500 pages, with an appendix of observations on the meals of the day; mode of giving suppers at Routs and soirees, as practised when the author was in the employ of Lord Sefton; and above all, a brief history of the rise and progress of Cookery, from an admirable French treatise. This is literally the sauce piquante of the volume, and we serve a little to our readers:—