Here sacred pomp and genial feast delight,
And solemn dance and hymeneal rite.
Along the streets the new made bride is
led,
With torches flaming to the nuptial bed;
The youthful dancers in a circle bound
To the saft lute and cittern’s silver
sound,
Through the fair streets the matrons in
a row,
Stand in their porches, and enjoy the
show.
POPE.
The same pomp, procession, and music, are still in use. Dancers, musicians, and singers, who chant the Epithalamium, go before the bride; loaded with ornaments, her eyes downcast, and herself sustained by women, or two near relations, she walks extremely slow. Formerly the bride wore a red or yellow veil. The Arminians do so still; this was to hide the blush of modesty, the embarrassment, and the tears of the young virgin. The bright torch of Hymen is not forgotten among the modern Greeks. It is carried before the new married couple into the nuptial chamber, where it burns till it is consumed, and it would be an ill omen were it by any accident extinguished, wherefore it is watched with as much care as of old was the sacred fire of the vestals. Arrived at the church, the bride and bridegroom each wear a crown, which, during the ceremony, the priest changes, by giving the crown of the bridegroom to the bride, and that of the bride to the bridegroom, which custom is also derived from the ancients.
I must not forget an essential ceremony which the Greeks have preserved, which is the cup of wine given to the bridegroom as a token of adoption; it was the symbol of contract and alliance. The bride drank from the same cup, which afterwards passed round to the relations and guests. They dance and sing all night, but the companions of the bride are excluded—they feast among themselves in separate apartments, far from the tumult of the nuptials. The modern Greeks, like the ancient, on the nuptial day, decorate their doors with green branches and garlands of flowers.