“What are these wonderful flowers?” I said to her.
“Hush! Hush!” she said, “I am putting the poets to bed. These flowers are their dreams.”
And in a lower voice I said: “What wonderful songs are they singing?” and she said, “Be still and listen.”
And I listened and found they were singing of my own childhood and of things that happened there so far away that I had quite forgotten them till I heard the wonderful song.
“Why is the song so faint?” I said to her.
“Dead voices,” she said, “Dead voices,” and turned back again to her cottage saying: “Dead voices” still, but softly for fear that she should wake the poets. “They sleep so badly while they live,” she said.
I stole on tiptoe upstairs to the little room from whose windows, looking one way, we see the fields we know and, looking another, those hilly lands that I sought—almost I feared not to find them. I looked at once toward the mountains of faery; the afterglow of the sunset flamed on them, their avalanches flashed on their violet slopes coming down tremendous from emerald peaks of ice; and there was the old gap in the blue-grey hills above the precipice of amethyst whence one sees the Lands of Dream.
All was still in the room where the poets slept when I came quietly down. The old witch sat by a table with a lamp, knitting a splendid cloak of gold and green for a king that had been dead a thousand years.
“Is it any use,” I said, “to the king that is dead that you sit and knit him a cloak of gold and green?”
“Who knows?” she said.
“What a silly question to ask,” said her old black cat who lay curled by the fluttering fire.
Already the stars were shining on that romantic land when I closed the witch’s door; already the glow-worms were mounting guard for the night around those magical cottages. I turned and trudged for the gap in the blue-grey mountains.