Punch, or the London Charivari, Volume 156, April 30, 1919 eBook

This eBook from the Gutenberg Project consists of approximately 52 pages of information about Punch, or the London Charivari, Volume 156, April 30, 1919.

Punch, or the London Charivari, Volume 156, April 30, 1919 eBook

This eBook from the Gutenberg Project consists of approximately 52 pages of information about Punch, or the London Charivari, Volume 156, April 30, 1919.

“‘Strange,’ thinks I.  ‘Chinks an’ Portugoose we expects here, likewise Annamites and Senegalese an’ doughboys; but I never heard that the BUFFALO BILL aggregation had taken the war-path.’

“He passes, and a little Geisha comes tripping by.  I rubs my eyes an’ says, ‘British Constitootian’ correctly; but she was followed by a Gipsy King and a Welsh Witch.  Then I sees a masked Toreador coming along, and I decides to arsk him all about it.  The language question didn’t worry me any.  I can pitch the cuffer in any bat from Tamil to Arabic, an’ the only chap I couldn’t compree was a deaf-an’-dumb man who suffered from St. Vitus’ Dance, which made ’im stutter with his fingers.

“‘Hi, caballero,’ says I, ‘where’s the bull-fight?’

“‘It isn’t a bull-fight, M’sieur,’ he replies.  ‘It’s Mi-Careme.’

“‘If he’s an Irishman,’ I says, ’I never met him; but if it’s a kind of pastry I’ll try some.’

“Then he shows me a doorway through which they was all entering, and beside it was a big yellow poster which said, ’Mi-Careme.  Grand Bal Costume.  Cavaliers, 2 francs.  Dames, 1 franc 50 centimes.’

“‘I’d love to be a cavalier at two francs a time,’ I remarks.  ’Besides, I want to make the farther acquaintance of little Perfume of Pineapple Essence who passed by just now.’

“’It will be necessary to ‘ave a costume, M’sieur,’ says Don Rodrigo.

“‘Trust me,’ I answers with dignity; ’I’ve won diplomas as a fancy-dress architect.’

“I goes to my billet and investigates the personal effects of my colleagues.  My choice fell on a Cameron kilt, a football jersey and a shrapnel helmet.  These I puts into a bundle an’ hikes back to the Hall of Dance.

“‘May I ask what M’sieur represents?’ said the doorkeeper as I paid my two francs.

“‘I haven’t started yet,’ I answers asperiously.  ’I assumes my costume as APPIUS CLAUDIUS in the dressing-room.’

“Well, when I’d finished my toilette—­regrettin’ the while that I hadn’t brought a pair of spurs to complete the costume—­I entered the ball-room.  It was a scene of East-end—­I mean Eastern—­splendour.  Carmens an’ Father Timeses, Pierrots an’ Pierrettes, Pompadours an’ Apaches was gyrating to the soft strains of the orchestra, who perspired at the piano in his shirt-sleeves.

“All of a sudden I saw my little Geisha, my Stick of Scented Brilliantine, waltzing with the Toreador, an’ my heart started beating holes in my football jersey.  When the orchestra stopped playing to light a cigarette I sought her out.

“‘O Choicest of the Fifty-seven Varieties,’ I says, ’deign to give me your honourable hand for the next gladiatorial jazz.’

“The Bull-fighter looked black, but she put her little hand in mine an’ we trod a stately measure.  Every now an’ then a shadow passed o’er the ballroom, an’ I knew it was the Toreador scowling.  But I took no notice of him, an’ we danced nearly everything on the menu, Don Rodrigo only getting an odd item now an’ then to prevent him dying of grief.

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Punch, or the London Charivari, Volume 156, April 30, 1919 from Project Gutenberg. Public domain.