“What!” I cried, “and parade hotel passages in search of the bath looking like a clown out of a circus? No, thank you.”
“You must make me a pattern then,” said Agnes, “or I shan’t know what to do.”
I can’t make patterns, but I can, and I did, make plans of ground and first-floor levels, a section and back and front elevations, all to a scale of one inch to the foot exactly. I also made a full-size detail of a toggle-and-cinch gear linking the upper storey to the lower.
“I think,” Agnes said, “you had better come to the shop and choose the material.”
I thought so too. I wanted something gaudy that would make me feel cheerful when I woke in the morning; but I also had another idea in my mind. Mangle-proof buttons! Have the things been invented yet?
The archbishop who attended to us deprecated the idea of india-rubber buttons.
“What kind are you now using?” he asked solicitously.
“At present, on No. 2,” I said, “I am using splinters of mother-of-pearl. Last week, with No. 1, I used a steel ring hanging by its rim to a shred of linen, two safeties, and a hairpin found on the floor.”
I chose a flannel with broad green and violet stripes, and very large buttons of vitrified brick which I hoped might break the mangle. These buttons were emerald in colour and gave me a new idea. Trimmings.
“I want to look right if the house catches fire,” I told Agnes. “Green sateen collar to match the buttons—”
“And for the wristbands,” said Agnes, catching my enthusiasm.
“And for the wristbands,” I agreed; “but,” I added, “not at the ankles. That would make the other people in the street expect me to dance to them, and I don’t know how to.”
And now the good work is complete. Toggle and cinch perform their proud functions, and I sleep undisturbed by Arctic nightmares, for I have substituted green ties for the stoneware buttons which reduced my vitality by absorbing heat. My only trouble is my increasing reluctance to rise in the morning. I don’t like changing out of my beautiful things so early in the day. I am beginning to want breakfast in bed.
* * * * *
AT THE DUMP.
(LINES TO THE N.C.O. IN CHARGE.)
Now is the hour of dusk and mist and midges,
Now the tired planes drone
homeward through the haze,
And distant wood-fires wink behind the
ridges,
And the first flare some timorous
Hun betrays;
Now no shell circulates, but all men brood
Over their evening
food;
The bats flit warily and owl and rat
With muffled cries their shadowy
loves pursue,
And pleasant, Corporal, it is to chat
In this hushed moment with
a man like you.