Punch, or the London Charivari, Volume 153, November 14, 1917 eBook

This eBook from the Gutenberg Project consists of approximately 44 pages of information about Punch, or the London Charivari, Volume 153, November 14, 1917.

Punch, or the London Charivari, Volume 153, November 14, 1917 eBook

This eBook from the Gutenberg Project consists of approximately 44 pages of information about Punch, or the London Charivari, Volume 153, November 14, 1917.

“What!” I cried, “and parade hotel passages in search of the bath looking like a clown out of a circus?  No, thank you.”

“You must make me a pattern then,” said Agnes, “or I shan’t know what to do.”

I can’t make patterns, but I can, and I did, make plans of ground and first-floor levels, a section and back and front elevations, all to a scale of one inch to the foot exactly.  I also made a full-size detail of a toggle-and-cinch gear linking the upper storey to the lower.

“I think,” Agnes said, “you had better come to the shop and choose the material.”

I thought so too.  I wanted something gaudy that would make me feel cheerful when I woke in the morning; but I also had another idea in my mind. Mangle-proof buttons!  Have the things been invented yet?

The archbishop who attended to us deprecated the idea of india-rubber buttons.

“What kind are you now using?” he asked solicitously.

“At present, on No. 2,” I said, “I am using splinters of mother-of-pearl.  Last week, with No. 1, I used a steel ring hanging by its rim to a shred of linen, two safeties, and a hairpin found on the floor.”

I chose a flannel with broad green and violet stripes, and very large buttons of vitrified brick which I hoped might break the mangle.  These buttons were emerald in colour and gave me a new idea. Trimmings.

“I want to look right if the house catches fire,” I told Agnes.  “Green sateen collar to match the buttons—­”

“And for the wristbands,” said Agnes, catching my enthusiasm.

“And for the wristbands,” I agreed; “but,” I added, “not at the ankles.  That would make the other people in the street expect me to dance to them, and I don’t know how to.”

And now the good work is complete.  Toggle and cinch perform their proud functions, and I sleep undisturbed by Arctic nightmares, for I have substituted green ties for the stoneware buttons which reduced my vitality by absorbing heat.  My only trouble is my increasing reluctance to rise in the morning.  I don’t like changing out of my beautiful things so early in the day.  I am beginning to want breakfast in bed.

* * * * *

AT THE DUMP.

(LINES TO THE N.C.O.  IN CHARGE.)

  Now is the hour of dusk and mist and midges,
    Now the tired planes drone homeward through the haze,
  And distant wood-fires wink behind the ridges,
    And the first flare some timorous Hun betrays;
  Now no shell circulates, but all men brood
      Over their evening food;
  The bats flit warily and owl and rat
    With muffled cries their shadowy loves pursue,
  And pleasant, Corporal, it is to chat
    In this hushed moment with a man like you.

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Project Gutenberg
Punch, or the London Charivari, Volume 153, November 14, 1917 from Project Gutenberg. Public domain.