a protest against the body of Rufus being placed beneath it.  The present low tower immediately took its place.  Bishop de Lucy was responsible for rebuilding the Early English choir about 1200.  The famous Bishop Wykeham completed the work of his predecessor, Edyngton, in rebuilding the west front, and he it was who beautified the nave.  The great east window dates from about 1510; the lady chapel being rather earlier in date.

[Illustration:  Plan, Winchester cathedral.]

The extreme length of the cathedral is 556 feet; the breadth of the transepts being 217 feet, and as the nave is entered the majestic proportions of the great church will be at once appreciated.  Particular notice should be taken of the black font brought from Tournai; it has the story of St. Nicholas carved upon it.  The situation of this and the tombs and other details will be quickly identified by reference to the plan.  On the south side is the chantry of Bishop Wykeham, now fitted up as a chapel.  Farther east is a modern effigy, much admired, of Bishop Harold Browne, who died in 1891.  A very beautiful iron grille that once protected the shrine of St. Swithun now covers a door on the north side of the nave.  Certain of the piers in the nave were repaired in 1826-7 and the “restorer,” one Garbett, inserted iron engaged columns on the face of that one nearest to Bishop Edyngton’s chantry, it is said for the sake of economy and strength!  Some of the stained glass in the nave, according to Mr. Le Coutier, dates from the time of Bishop Edyngton, and that representing Richard II is a work contemporary with Bishop Wykeham.  This part of the building has been the scene of many progresses—­magnificent and sad—­from the coronation processions of the early kings and the slow march of their funerals to that of the wedding of Mary I, when the queen blazed with jewels “to such an extent that the eye was blinded as it looked upon her.”  But the most unforgettable of all was on that dreadful day when the troops of Waller marched up the nave, some mounted and all in war array, to despoil the tombs of bishop and knight of their emblems of piety and honour and to destroy anything beautiful that could be reached with pike or sword.

On the right of the choir steps is Bishop Edyngton’s chantry and on the left the grave of the last Prior, Kingsmill, who afterwards became first Dean.  In the centre of the choir stands the reputed tomb of William Rufus.  This part of the building forms a mortuary chapel for several of the early English Kings, including Canute.  Their remains, with those of several bishops, rest in the oak chests that lie on the top of the choir screen.  They were deposited here by Bishop Fox in 1534.  This prelate was responsible for the beautiful east window; a perfect specimen of old stained glass.  The fine pulpit dates from 1520.  In the choir, the scene of Edward Confessor’s coronation in 1043, Mary I and Philip of Spain were married.  The fine carvings of the stalls date from 1296 and their canopies from 1390.  They are among the earliest specimens of their kind in Europe.