Not much can be said for St. Mary’s, an eighteenth-century church in St. Mary’s Street which carries the Bloomsbury-by-Sea idea to excess. The church has a tablet, the epitaph upon which seems quite unique in the contradictory character it gives to the deceased:
UNDETH LIES YE BODY OF
CHRISR. BROOKS ESQ. OF JAMAICA
WHO DEPARD. THIS LIFE 4 SEPR. 1769
AGED 38 YEARS, ONE OF YE WORST OF MEN
FRIEND TO YE DISTRESD.
TRULY AFFECTD & KIND HUSBAND
TENDER PART. & A SINCR. FRIEND
The artist was unfortunate in his choice of abbreviations and strangers are sometimes sorely puzzled; some, indeed, never guess that “worst” has any connexion with “worthiest.” The altar piece, difficult to see on a dull day, was painted by Sir James Thornhill, a former representative of the borough in Parliament. Sir Christopher Wren was also for a time member for Weymouth, and portraits of both, together with the Duke of Wellington and George III, adorn the Guildhall, a good building at the west end of St. Mary’s Street. The twin towns were unique in their choice of members; in addition to the great architect and famous painter, a poet—Richard Glover, author of Leonidas—of no mean repute in his own day, was chosen and the original Winston Churchill, father of the great Duke of Marlborough, also sat for Weymouth.
[Illustration: OLD WEYMOUTH.]
Within the Guildhall is to be seen a chest from the captured Armada galleon and an old chair from Melcombe Friary, of which some poor remnants existed in Maiden Street almost within living memory. On the other side of the harbour is Holy Trinity Church, built in 1836. This has another fine altar painting of the Crucifixion, thought by some authorities to be by Vandyck.