In some respects there is a similarity between the Abbey of Sherborne and the Cathedral at Winchester.  In certain portions of each building the same extraordinary transformation has taken place in the same interesting way.  The original heavy Norman piers of the nave have been pared and carved into the soaring lines and panel work of the Perpendicular period.  This alteration was carried out here by Abbot Ramsam about the year 1500.  In the north transept is the organ, a fine and famous instrument.  The ceiling of the south transept was presented by the last Earl of Bristol and is composed of black Irish oak.  The Earl’s monument with his effigy and that of his two wives, stands beneath.  There will be noticed on the south wall a memorial to two children, the offspring of Lord Digby; the lines of the epitaph were written by Pope.  The window above is a modern work by Pugin.  On the east of this transept is the chapel of the Holy Sepulchre.  The font is singular if, as is stated, it was formerly ornamented with brass plates.  They are said to have been fixed within the quatrefoils on five sides, the remaining three being plain.

The magnificent choir shows the essential beauty of Perpendicular—­the aspiring line—­at its very best.  The vaulting seems to carry the upward flow, as it were, of the stonework to the roof centre without any loss of the soaring effect.  The beautiful windows are all modern but they are entirely in keeping with the old work.  The stalls are original fifteenth-century carving and the miserere seats and canopies above should be particularly noticed.  The reredos contains two modern designs in alto-relievo.  A peculiar russet tint in the stonework near the roof is said to have been occasioned by a fire which took place during one of the many quarrels between the monastery and the town, due mostly to a difference of opinion as to the ownership of the nave.  An arrow with a fiery tail, shot by one of the clergy of the town church, lodged in the temporary thatched roof of the new choir and caused the fire which did much damage, even melting the bells in the tower.

Behind the high altar, let into the floor of the old processional path, is a brass thus inscribed: 

  NEAR THIS SPOT WERE INTERRED
  THE MORTAL REMAINS OF
  ETHELBALD AND ETHELBERT HIS BROTHER
  EACH OF WHOM IN TURN SUCCEEDED TO THE
  THRONE OF ETHELWOULF THIER FATHER KING OF THE
  WEST SAXONS AND WERE SUCCEEDED IN THE KINGDOM
  BY THIER YOUNGEST BROTHER ALFRED THE GREAT.

In the beautiful Wickham Chapel is the monument to Sir John Horsey, the temporary owner of the Abbey at the Dissolution.  He at once sold the church to the town for one hundred marks, the equivalent then of about seventy pounds.  St. Katharine’s, sometimes called the Leweston Chapel, contains the Renaissance tomb of John Leweston and his wife.  Bishop Roger’s Chapel is on the north of the choir.  This is Early English so far as the walls actually belonging to the chapel are concerned.  It contains the battered effigy of Abbot Clement (1163) and some others unknown.