Lectures on Art eBook

This eBook from the Gutenberg Project consists of approximately 203 pages of information about Lectures on Art.

Lectures on Art eBook

This eBook from the Gutenberg Project consists of approximately 203 pages of information about Lectures on Art.

But this refilling on the physical, like every thing else, has had its opponents:  it is declaimed against as artificial.  If by artificial is meant unnatural, we cannot so consider it; but hold, on the contrary, that the whole multiform scheme of the civilized state is not only in accordance with our nature, but an essential condition to the proper developement of the human being.  It is presupposed by the very wants of his mind; nor could it otherwise have been, any more than could have been the cabin of the beaver, or the curious hive of the bee, without their preexisting instincts; it is therefore in the highest sense natural, as growing out of the inherent desires of the mind.

But we would not be misunderstood.  When we speak of the refined state as not out of nature, we mean such results as proceed from the legitimate growth of our mental constitution, which we suppose to be grounded in permanent, universal principles; and, whatever modifications, however subtile, and apparently visionary, may follow their operation in the world of sense, so long as that operation diverge not from its original ground, its effect must be, in the strictest sense, natural.  Thus the wildest visions of poetry, the unsubstantial forms of painting, and the mysterious harmonies of music, that seem to disembody the spirit, and make us creatures of the air,—­even these, unreal as they are, may all have their foundation in immutable truth; and we may moreover know of this truth by its own evidence.  Of this species of evidence we shall have occasion to speak hereafter.  But there is another kind of growth, which may well be called unnatural; we mean, of those diseased appetites, whose effects are seen in the distorted forms of the conventional, having no ground but in weariness of the true; and it cannot be denied that this morbid growth has its full share, inwardly and outwardly, both of space and importance.  These, however, must sooner or later end as they began; they perish in the lie they make; and it were well did not other falsehoods take their places, to prolong a life whose only tenure is inconsequential succession,—­in other words, Fashion.

If it be true, then, that even the commonplaces of life must all in some degree partake of the mental, there can be but one rule by which to determine the proper rank of any object of pursuit, and that is by its nearer or more remote relation to our inward nature.  Every system, therefore, which tends to degrade a mental pleasure to the subordinate or superfluous, is both narrow and false, as virtually reversing its natural order.

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Lectures on Art from Project Gutenberg. Public domain.