Lectures on Art eBook

This eBook from the Gutenberg Project consists of approximately 203 pages of information about Lectures on Art.

Lectures on Art eBook

This eBook from the Gutenberg Project consists of approximately 203 pages of information about Lectures on Art.
of nature; perhaps, also, they are lovers, and sharing with nature their admiration for each other, whose personal charms are set off to the utmost, according to the most approved notions, by the taste and elegance of their dress.  Then suppose an Indian hunter, who had never seen one of our civilized world, or heard of our costume, coming suddenly upon them, their faces being turned from him.  Would it be possible for him to imagine what kind of animals they were?  We think not; and least of all, that he would suppose them to be of his own species.  This is no improbable case; and we very much fear, should it ever occur, that the unrefined savage would go home with an impression not very flattering either to the milliner or the tailor.

That, under such disguises, we should consider human beauty as a kind of enigma, or a thing to dispute about, is not surprising; nor even that we should often differ from ourselves, when so much of the outward man is thus made to depend on the shifting humors of some paramount Petronius of the shears.  But, admitting it to be an easy matter to divest the form, or, what is still more important, our own minds, of every thing conventional, there is the still greater obstacle to any true effect from the person alone, in that moral admixture, already mentioned, which, more or less, must color the most of our impressions from every individual.  Is there not, then, sufficient ground for at least a doubt if, excepting idiots, there is one human being in whom the purely physical is at all times the sole agent?  We do not say that it does not generally predominate.  But, in a compound being like man, it seems next to impossible that the nature within should not at times, in some degree, transpire through the most rigid texture of the outward form.  We may not, indeed, always read aright the character thus obscurely indexed, or even be able to guess at it, one way or the other; still, it will affect us; nay, most so, perhaps, when most indefinite.  Every man is, to a certain extent, a physiognomist:  we do not mean, according to the common acceptation, that he is an interpreter of lines and quantities, which may be reduced to rules; but that he is born one, judging, not by any conscious rule, but by an instinct, which he can neither explain nor comprehend, and which compels him to sit in judgment, whether he will or no.  How else can we account for those instantaneous sympathies and antipathies towards an utter stranger?

Now this moral influence has a twofold source, one in the object, and another in ourselves; nor is it easy to determine which is the stronger as a counteracting force.  Hitherto we have considered only the former; we now proceed with a few remarks upon the latter.

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Lectures on Art from Project Gutenberg. Public domain.