The German Classics of the Nineteenth and Twentieth Centuries, Volume 02 eBook

This eBook from the Gutenberg Project consists of approximately 618 pages of information about The German Classics of the Nineteenth and Twentieth Centuries, Volume 02.

The German Classics of the Nineteenth and Twentieth Centuries, Volume 02 eBook

This eBook from the Gutenberg Project consists of approximately 618 pages of information about The German Classics of the Nineteenth and Twentieth Centuries, Volume 02.

“I understand you,” said Wilhelm.  “Why should we not also apply spiritually, what is so necessary in bodily matters?  But perhaps in another respect you can satisfy my curiosity.  I am surprised at the great variety in the cut and color of their clothes, and yet I do not see all kinds of color, but a few only, and these in all their shades, from the brightest to the darkest.  Still I observe, that in this there cannot be meant any indication of degrees of either age or merit; since the smallest and biggest boys mingled together, may be alike in cut and color, whilst those who are alike in gestures do not agree with one another in dress.”

“As concerns this, too,” their companion replied, “I cannot explain any further; yet I shall be much mistaken it you depart hence without being enlightened about all that you may wish to know.”

They were now going in search of the master, whom they thought that they had found; but now a stranger could not but be struck by the fact that the deeper they got into the country, the more they were met by a harmonious sound of singing.  Whatsoever the boys set about, in whatever work they were found engaged, they were for ever singing, and in fact it seemed that the songs were specially adapted to each particular occupation, and in similar cases always the same.  If several children were in any place, they would accompany each other in turns.

Toward evening they came upon some dancing, their steps being animated and guided by choruses.  Felix from his horse chimed in with his voice, and, in truth, not badly; Wilhelm was delighted with this entertainment, which made the neighborhood so lively.  “I suppose,” he observed to his companion, “you devote a great deal of care to this kind of instruction, for otherwise this ability would not be so widely diffused, or so perfectly developed.”

“Just so,” replied the other; “with us the art of singing forms the first step in education; everything else is subservient to it, and attained by means of it.  With us the simplest enjoyment, as well as the simplest instruction, is enlivened and impressed by singing; and even what we teach in matters of religion and morals is communicated by the method of song.  Other advantages for independent ends are directly allied; for, whilst we practise the children in writing down by symbols on the slate the notes which they produce, and then, according to the indication of these signs, in reproducing them in their throats, and moreover in adding the text, they exercise at the same time the hand, ear, and eye, and attain orthography and calligraphy quicker than you would believe; and, finally, since all this must be practised and copied according to pure metre and accurately fixed time, they learn to understand much sooner than in other ways the high value of measure and computation.  On this account, of all imaginable means, we have chosen music as the first element of our education, for from this equally easy roads radiate in every direction.”

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The German Classics of the Nineteenth and Twentieth Centuries, Volume 02 from Project Gutenberg. Public domain.